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T49.95
Only $18 USD (approx currency conversion). Postage included.
The joys, trials, tragedies, and the sensibilities of being a woman of Samoa are highlighted in this superb collection. Afakasi Woman is a collection of 15 short stories, written by 2018 Pacific Laureate Lani Wendt Young. Originally released as a digital collection that won the University of the South Pacific fiction prize, this revised edition includes previously unpublished stories.Each story is brimming with emotion, offering a unique, engrossing glimpse into the lives of women of the Pacific, as Wendt Young takes readers from tears of laughter to tears of sorrow from one story to the next.
A 2020 winner of a Notable Book Storylines Award and shortlisted in the 2020 New Zealand Book Awards (NZCYA).
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The second book in the international bestselling series, Telesa. As a malicious Telesa plots her revenge, a mysterious stranger arrives on the island. Fuelled by hate and running from a fiery past, he looks to Leila for answers and she must fight to contain the fury of fanua-afi while trying to protect all those she loves. It seems that this is a battle she must wage alone, for Daniel’s ocean birthright cannot be denied and he refuses to walk beside her. Are Leila and Daniel destined to be forever divided by the elements? When it comes to Water and Fire, daughter of earth and son of the ocean – who will endure when water burns?
What you can’t say – owns you. What you hide – controls you. Scarlet knows the truth of these words all too well. As the stress of a family wedding builds, her resolve to be a #GoodDaughter wears thin and toxic truths begin to take their toll. Scarlet’s epic humor carries her through everything from (more!) forbidden croquembouche, to uku infestations and melon-like wardrobe malfunctions, and more of her family’s barbed idea of love. Sometimes you just have to laugh through life’s pain, or else you’ll cry your heart out. Right? Can Jackson be the strength that helps Scarlet break through the lies? Or will her secrets destroy them? Experience the tropical heat, humor and heartache that is Scarlet’s trip home to Samoa.
Only $10 USD.
Buy all three books in the SCARLET SERIES for only $55.00 USD (approximate currency conversion). Paper print books, postage included in the price. Your payment comes direct to Samoa to the writer, books are posted to you from distributors in either USA or Australia to keep shipping costs down and for faster delivery.
Buy all three books in the TELESA WORLD SERIES for only $55.00 USD (approximate currency conversion). Paperback print books, postage is included in the price.
1.Earth’s Embrace
2. Ocean’s Kiss
3. Fire’s Caress
Only $18 USD (approx currency conversion). Includes postage.
Numbers are Tamarina’s language. And there’s no room in her equations for love. Or is there? A sweet sultry love story about a math genius and a mechanic. Return to Scarlet’s world, only this time read her sister Tamarina’s story.
Watermelon was the inspiration behind the colour palette and title of this print.
The original painting was one of three in a series of artworks of five sisters and all were related to a different fruit.
Fun, bright and relaxed – the watermelon vibe.
INSPIRATION
Mangoes are always special.
Fancy. Soft. Sweet. Round.
Celebratory and luxurious.
So this is what I infused in the figures, tones, and shapes.
It feels warm and sweet and happy.
I learned so much about mangoes doing this painting.
Eg.
🥭The paisley pattern on bandanas originates from mangoes.
🥭The leaves from a mango tree are believed to repel negative energy and attract prosperity and fertility in India where the mango is believed to originate.
ARTWORK
The starting point was the heads of the women, which followed an exact formation of mangoes hanging on a tree. Everything went from this point.
I used the colours of mangoes: orange, yellow, red, green, coral, purple. Tropical, sweet and glowy.
I used the curvy shapes of oval mangoes, long pointy leaves, and delicate long red stems laden with pale yellow tiny mango flowers.
Metallic colours of gold and copper added luxe and celebration.
This is the story of Mango Fandango.
(I used fandango in the sense of fun, party and dance).
Yellows, greens and browns. Not colours I usually use but you can’t argue with nature’s beauty.
Then the title just seemed so obvious and perfect.
Misiluki is Samoan for Lady Finger bananas.
Lady Fingers. Five digits on a hand and five is the number of sisters I paint over and over again.
This bunch of five sisters are all grown up.
This print by Pele Loi features a bird feeding in the natural Samoan environment against a bright blue background of Samoan tatau patterns.
Playing with poem structure, paint, and Samoan markings.
Small paintings inspired by the 7 metre by 2 metre works (pic 6) I created for the VIP Terminal Lounge at Faleolo International Airport.
A tanka poem is derived from Japanese poetry arranged in five lines with a 5-7-5-7-7 syllable count.
Musing on the paradox of permanence. What lasts? Bone? Or a butterfly’s brief beauty?
“Butterfly and Bone”
Only $10 USD (approx currency conversion).
This print is from a series of three large paintings by Nikki Mariner, titled, ‘No Woman is an Island’.
This print by To’a Sāleilua shows a steaming Samoan feast of pork, fish, breadfruit, taro and more, which are cooked using traditional methods.
Craving nature, feeling anti-technology, craving authenticity, resenting clocks and calendars and dresscodes, imagining living off the land, channeling ancestors, craving trees and fruit, and fresh air.
My sisters and I live different lives than we used to.
I watch their online stories traveling Europe and dancing at music festivals.
We discuss pending court cases and struggles of self-employment.
The days of desperately seeking babysitters, carpooling for school events, and borrowing from each other to pay the rent are gone.
We are less compliant and more calm.
We are more heartbroken and less cooperative.
We are smarter and deeper.
That’s what this painting is about.
Letting go. Floating.
I’ve always loved Ella Fitzgerald singing Cry Me A River.
The lyrics say it all. Cry me a river, I cried a river over you.
But the version that goes with this painting is Cry Me A River by Julie London, Live at the Americana Hotel, New York 1964. It’s breathtakingly beautiful.
So this painting is titled Cry Me A Moana and captures a similar sentiment as the song.
(Moana is a word that means ocean in several Pacific Island languages.)
Five brown-skinned full-bodied women floating in water.
They are reaching and twisting.
Their respectable white dresses become translucent, and the flower leis of honour are drifting away, and the women don’t care.
They float above fish skeletons and remnants of the past.
I hope it resonates. I want to make art that people feel, not only look at.
This print is from a series of three large paintings by Nikki Mariner, titled, ‘No Woman is an Island’.
Playing with poem structure, paint, and Samoan markings.
Small paintings inspired by the 7 metre by 2 metre works (pic 6) I created for the VIP Terminal Lounge at Faleolo International Airport.
The cinquain poem was invented by an American poet, and she drew inspiration from Japanese forms such as haiku and tanka, which are arranged in five lines. The cinquain has a syllable count of 2- 4 – 6 – 8 – 2.
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