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T49.95
Only $18 USD (approx currency conversion). Postage included.
The joys, trials, tragedies, and the sensibilities of being a woman of Samoa are highlighted in this superb collection. Afakasi Woman is a collection of 15 short stories, written by 2018 Pacific Laureate Lani Wendt Young. Originally released as a digital collection that won the University of the South Pacific fiction prize, this revised edition includes previously unpublished stories.Each story is brimming with emotion, offering a unique, engrossing glimpse into the lives of women of the Pacific, as Wendt Young takes readers from tears of laughter to tears of sorrow from one story to the next.
A 2020 winner of a Notable Book Storylines Award and shortlisted in the 2020 New Zealand Book Awards (NZCYA).
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Bring your favorite Samoan dog Bongo to life with FOURTEEN printable coloring pages from the original HALU BONGO storybook for kids. Simply download, then print on your home printer with settings on \’Fill page\’, grab some bright crayons, and your child has everything they need for a fun activity. Pair with the the ebook of HALU BONGO, read the story out loud together in Samoan and English, and help reinforce your child\’s confident learning of Gagana Samoa. These bold coloring pages are all familiar scenes straight from home here in Beautiful Samoa. Only $3.50 USD (approx currency conversion).
Original paintings by Nikki Mariner. Adapted for coloring pages format by Bella Young.
What really happened to Keahi AFTER Teuila left him? If you enjoyed Fire’s Caress, then you will love this added insight into Keahi. Get to know our favourite Telesa World #badBoyBillionaire a little better with this short story.
Only $5 USD.
Best enjoyed if you have already read Fire’s Caress.
Lies are beautiful – when the truth hurts. Sixteen years ago, Scarlet’s family sent her away in disgrace. She’s been back once – with disastrous consequences. Now, her little sister is getting married and Scarlet’s headed home once more. Will this be the reunion she’s always longed for? Or will the lies of her childhood entangle her once more in their beautiful embrace? More than ‘just a romance’, this poignant story about the tangled connections between mothers, daughters and sisters – speaks with compelling insight and humor, of inherited trauma, and of desire and deception.
Only $10 USD.
Buy all three books in the TELESA SERIES for only $55.00 USD (approximate currency conversion). Paperback print books, postage included in the price.
1. Telesa – The Covenant Keeper
2. Telesa – When Water Burns
3. Telesa – The Bone Bearer.
A Telesa World novel that continues the story of Leila and Daniel.
How do you contain a fire god?
All Leila and Daniel want is their ‘happy ever after’. But there’s a small problem – Pele isn’t dead and gone. She may not be in control of Leila anymore, but she’s still a brooding, simmering threat searching for a way out. The couple will need to turn to the ancient ways of the Taulasea for hope and healing. And Leila will need to search deep within to find the strength to reclaim herself.
A standalone novel in the Telesā World.
$10 USD (approx currency conversion)
Going to your seamstress for a new dress or puletasi, choosing your material, being measured all over your body, hearing feedback about your measurements, discussing the design, discussing the event… it’s a whole thing.
#ifykyk
That’s what this painting is about.
Watermelon was the inspiration behind the colour palette and title of this print.
The original painting was one of three in a series of artworks of five sisters and all were related to a different fruit.
Fun, bright and relaxed – the watermelon vibe.
INSPIRATION
Mangoes are always special.
Fancy. Soft. Sweet. Round.
Celebratory and luxurious.
So this is what I infused in the figures, tones, and shapes.
It feels warm and sweet and happy.
I learned so much about mangoes doing this painting.
Eg.
🥭The paisley pattern on bandanas originates from mangoes.
🥭The leaves from a mango tree are believed to repel negative energy and attract prosperity and fertility in India where the mango is believed to originate.
ARTWORK
The starting point was the heads of the women, which followed an exact formation of mangoes hanging on a tree. Everything went from this point.
I used the colours of mangoes: orange, yellow, red, green, coral, purple. Tropical, sweet and glowy.
I used the curvy shapes of oval mangoes, long pointy leaves, and delicate long red stems laden with pale yellow tiny mango flowers.
Metallic colours of gold and copper added luxe and celebration.
This is the story of Mango Fandango.
(I used fandango in the sense of fun, party and dance).
Playing with poem structure, paint, and Samoan markings.
Small paintings inspired by the 7 metre by 2 metre works (pic 6) I created for the VIP Terminal Lounge at Faleolo International Airport.
A tanka poem is derived from Japanese poetry arranged in five lines with a 5-7-5-7-7 syllable count.
This print features a favourite food in Samoa: Corned Beef or Pisupo.
Like artists for centuries, I teach myself about painting by doing my own versions of the great masters and modern icons.
Personally, I’ve never been attracted to the artwork by American artist Andy Warhol (1928-1987), but corned beef cans gave me the perfect opportunity to explore his work. Step into the experience of studying the minutiae of mundane objects and products.
It was interesting and it gave me a new appreciation.
This print features traditional Samoan patterns and symbols found in our siapo (tapa cloth) and tatau (tattoos).
This print is from a series of three large paintings by Nikki Mariner, titled, ‘No Woman is an Island’.
This print by Lalovai Peseta features his signature style of tatau patterns and the monochromatic palette he does so well.
Popouli is a painting that uses the life stages of a coconut to represent the optimal timing for regrowth and regeneration.
Buy all three books in the TELESA WORLD SERIES for only $55.00 USD (approximate currency conversion). Paperback print books, postage is included in the price.
1.Earth’s Embrace
2. Ocean’s Kiss
3. Fire’s Caress
The first painting of every year is significant.
It sets the tone, mood, style, and benchmark for the year.
The Cleaner was my first for 2024.
It’s a figurative painting of a woman with a broom.
She wears only a lavalava and a sei.
Inspirations.
1. I fell in love with a sculpture by Italian artist Ernesto Coter while eating in his kitchen at Santa Maria Rezzonico a few weeks earlier. The sculpture was sitting on the sideboard beside his dining table. He said it is a Samoan woman dancing. This painting is a response to the sculpture (Pic 5)
2. A new year inspires a fresh look at life, reassessment, and decluttering. It’s not the first time my first painting for a new year has included a broom. It’s about spring cleaning your life as a new year begins.
3. Spending time with my family gave me a fresh respect for two of my sisters who each successfully run their own cleaning businesses in Queensland. It’s more interesting and complex work than I expected, and what they do for their clients is admirable.
I wanted to honour cleaners so I painted gold behind her head to show she is iconic.
And she had a gold broom.
4. Samoans sweep everything regularly – the beach, the grass the house, and everything.
5. A woman with a broom is a timeless and common sight in the background of every culture and every age. I want to uplift and highlight this symbol.
As a goddess. With an iconic halo.
We have often been this person and often see this person. And they’re important and essential.
They get rid of crap and they make the world more beautiful.
Goddesses.
6. I painted a blue ocean type background because I was seeing a lot from the 2023 United Nations Climate Change Conference in Dubai, while painting. Many people I know were there representing island nations of the Pacific Ocean.
Yellows, greens and browns. Not colours I usually use but you can’t argue with nature’s beauty.
Then the title just seemed so obvious and perfect.
Misiluki is Samoan for Lady Finger bananas.
Lady Fingers. Five digits on a hand and five is the number of sisters I paint over and over again.
This bunch of five sisters are all grown up.
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