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T49.95
Only $18 USD (approx currency conversion). Postage included.
The joys, trials, tragedies, and the sensibilities of being a woman of Samoa are highlighted in this superb collection. Afakasi Woman is a collection of 15 short stories, written by 2018 Pacific Laureate Lani Wendt Young. Originally released as a digital collection that won the University of the South Pacific fiction prize, this revised edition includes previously unpublished stories.Each story is brimming with emotion, offering a unique, engrossing glimpse into the lives of women of the Pacific, as Wendt Young takes readers from tears of laughter to tears of sorrow from one story to the next.
A 2020 winner of a Notable Book Storylines Award and shortlisted in the 2020 New Zealand Book Awards (NZCYA).
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Only $18USD (approx currency conversion). Includes postage.
She’s the brilliant sculptor taking the art world by storm, a daughter of Samoa returning home. He’s the fiery remnant of her past, who appears on what should be a night of triumph, weighted with dark secrets that could destroy them both. Can Teuila and Keahi find their way, even as a deadly threat emerges? Because there’s a new power on island, malevolent and hungry. His name is Marc Gold. His billion dollar vision of a virus-free Sanctuary in Samoa for the world’s rich and privileged, threatens to wipe out an ancient settlement of the Aitu and awakens their retribution. There is a battle coming and it is one that could destroy them all. This is a Telesā World novel which continues the stories of key characters from the Telesā Series. It can be read as a standalone book.
A collection of fun, fearsome and fanciful stories from Samoa for children. Recommended for Ages 8 to 12 (and for the child in all of us!)
Only $10 USD.
What you can’t say – owns you. What you hide – controls you. Scarlet knows the truth of these words all too well. As the stress of a family wedding builds, her resolve to be a #GoodDaughter wears thin and toxic truths begin to take their toll. Scarlet’s epic humor carries her through everything from (more!) forbidden croquembouche, to uku infestations and melon-like wardrobe malfunctions, and more of her family’s barbed idea of love. Sometimes you just have to laugh through life’s pain, or else you’ll cry your heart out. Right? Can Jackson be the strength that helps Scarlet break through the lies? Or will her secrets destroy them? Experience the tropical heat, humor and heartache that is Scarlet’s trip home to Samoa.
Only $10 USD.
Numbers are Tamarina’s language. And there’s no room in her equations for love. Or is there? A sweet sultry love story about a math genius and a mechanic. Return to Scarlet’s world, only this time read her sister Tamarina’s story.
Only $10 USD. (Approx currency exchange)
Buy all three books in the SCARLET SERIES for only $55.00 USD (approximate currency conversion). Paper print books, postage included in the price. Your payment comes direct to Samoa to the writer, books are posted to you from distributors in either USA or Australia to keep shipping costs down and for faster delivery.
Only $18 USD (approx currency conversion). Includes postage.
Every woman has her breaking point. Has Scarlet reached hers? In this beautifully crafted tale of redemption and renewal, Scarlet must choose between staying in the shadows of weighty family secrets, or stepping out into the light, and thus risking it all. Can she do it? And will Jackson be a part of that journey? The thrilling conclusion to the heat, humour and heartache of the Scarlet Lies Series.
This print is from a series of three large paintings by Nikki Mariner, titled, ‘No Woman is an Island’.
Yellows, greens and browns. Not colours I usually use but you can’t argue with nature’s beauty.
Then the title just seemed so obvious and perfect.
Misiluki is Samoan for Lady Finger bananas.
Lady Fingers. Five digits on a hand and five is the number of sisters I paint over and over again.
This bunch of five sisters are all grown up.
Internal chaos or forced deconstruction of identity? You decide.
Only $10 USD (approx currency conversion)
Every woman has her breaking point. Has Scarlet reached hers? In this beautifully crafted tale of redemption and renewal, Scarlet must choose between staying in the shadows of weighty family secrets, or stepping out into the light, and thus risking it all. Can she do it? And will Jackson be a part of that journey? The thrilling conclusion to the heat, humour and heartache of the Scarlet Lies Series.
Only $10 USD.
This print features a favourite food in Samoa: Corned Beef or Pisupo.
Like artists for centuries, I teach myself about painting by doing my own versions of the great masters and modern icons.
Personally, I’ve never been attracted to the artwork by American artist Andy Warhol (1928-1987), but corned beef cans gave me the perfect opportunity to explore his work. Step into the experience of studying the minutiae of mundane objects and products.
It was interesting and it gave me a new appreciation.
Watermelon was the inspiration behind the colour palette and title of this print.
The original painting was one of three in a series of artworks of five sisters and all were related to a different fruit.
Fun, bright and relaxed – the watermelon vibe.
Musing on the paradox of permanence. What lasts? Bone? Or a butterfly’s brief beauty?
“Butterfly and Bone”
Only $10 USD (approx currency conversion).
The first painting of every year is significant.
It sets the tone, mood, style, and benchmark for the year.
The Cleaner was my first for 2024.
It’s a figurative painting of a woman with a broom.
She wears only a lavalava and a sei.
Inspirations.
1. I fell in love with a sculpture by Italian artist Ernesto Coter while eating in his kitchen at Santa Maria Rezzonico a few weeks earlier. The sculpture was sitting on the sideboard beside his dining table. He said it is a Samoan woman dancing. This painting is a response to the sculpture (Pic 5)
2. A new year inspires a fresh look at life, reassessment, and decluttering. It’s not the first time my first painting for a new year has included a broom. It’s about spring cleaning your life as a new year begins.
3. Spending time with my family gave me a fresh respect for two of my sisters who each successfully run their own cleaning businesses in Queensland. It’s more interesting and complex work than I expected, and what they do for their clients is admirable.
I wanted to honour cleaners so I painted gold behind her head to show she is iconic.
And she had a gold broom.
4. Samoans sweep everything regularly – the beach, the grass the house, and everything.
5. A woman with a broom is a timeless and common sight in the background of every culture and every age. I want to uplift and highlight this symbol.
As a goddess. With an iconic halo.
We have often been this person and often see this person. And they’re important and essential.
They get rid of crap and they make the world more beautiful.
Goddesses.
6. I painted a blue ocean type background because I was seeing a lot from the 2023 United Nations Climate Change Conference in Dubai, while painting. Many people I know were there representing island nations of the Pacific Ocean.
Popouli is a painting that uses the life stages of a coconut to represent the optimal timing for regrowth and regeneration.
INSPIRATION
Mangoes are always special.
Fancy. Soft. Sweet. Round.
Celebratory and luxurious.
So this is what I infused in the figures, tones, and shapes.
It feels warm and sweet and happy.
I learned so much about mangoes doing this painting.
Eg.
🥭The paisley pattern on bandanas originates from mangoes.
🥭The leaves from a mango tree are believed to repel negative energy and attract prosperity and fertility in India where the mango is believed to originate.
ARTWORK
The starting point was the heads of the women, which followed an exact formation of mangoes hanging on a tree. Everything went from this point.
I used the colours of mangoes: orange, yellow, red, green, coral, purple. Tropical, sweet and glowy.
I used the curvy shapes of oval mangoes, long pointy leaves, and delicate long red stems laden with pale yellow tiny mango flowers.
Metallic colours of gold and copper added luxe and celebration.
This is the story of Mango Fandango.
(I used fandango in the sense of fun, party and dance).
This print features traditional Samoan patterns and symbols found in our siapo (tapa cloth) and tatau (tattoos).
This print by To’a Sāleilua shows a steaming Samoan feast of pork, fish, breadfruit, taro and more, which are cooked using traditional methods.
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