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T49.95
Only $18 USD (approx currency conversion). Postage included.
The joys, trials, tragedies, and the sensibilities of being a woman of Samoa are highlighted in this superb collection. Afakasi Woman is a collection of 15 short stories, written by 2018 Pacific Laureate Lani Wendt Young. Originally released as a digital collection that won the University of the South Pacific fiction prize, this revised edition includes previously unpublished stories.Each story is brimming with emotion, offering a unique, engrossing glimpse into the lives of women of the Pacific, as Wendt Young takes readers from tears of laughter to tears of sorrow from one story to the next.
A 2020 winner of a Notable Book Storylines Award and shortlisted in the 2020 New Zealand Book Awards (NZCYA).
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An island of secrets. A girl on fire. An epic battle of the elements. The book that started it all…
Only $10 USD (approx currency conversion)
Buy all three books in the TELESA WORLD SERIES for only $55.00 USD (approximate currency conversion). Paperback print books, postage is included in the price.
1.Earth’s Embrace
2. Ocean’s Kiss
3. Fire’s Caress
Only $18USD (approx currency conversion). Includes postage.
She’s the brilliant sculptor taking the art world by storm, a daughter of Samoa returning home. He’s the fiery remnant of her past, who appears on what should be a night of triumph, weighted with dark secrets that could destroy them both. Can Teuila and Keahi find their way, even as a deadly threat emerges? Because there’s a new power on island, malevolent and hungry. His name is Marc Gold. His billion dollar vision of a virus-free Sanctuary in Samoa for the world’s rich and privileged, threatens to wipe out an ancient settlement of the Aitu and awakens their retribution. There is a battle coming and it is one that could destroy them all. This is a Telesā World novel which continues the stories of key characters from the Telesā Series. It can be read as a standalone book.
Numbers are Tamarina’s language. And there’s no room in her equations for love. Or is there? A sweet sultry love story about a math genius and a mechanic. Return to Scarlet’s world, only this time read her sister Tamarina’s story.
Only $10 USD. (Approx currency exchange)
Only $18 USD (approx currency conversion). Includes postage.
The thrilling, breathlessly anticipated conclusion to The Telesa Series. Leila’s selfless act at the closing of ‘When Water Burns,’ unleashed the demonic fury of Pele the Fire Goddess and now Daniel must fight an epic battle to free the one he loves. Unlikely allies come to his aid as a group of troubled elementals try to overcome their differences and work as a team to save their friend. But Pele’s awakening has caused cataclysmic fear throughout the Telesa guardians of the Pacific and they are gathering their forces, preparing to defend the Blue Continent from the devastating threat of the Fire Goddess. Only one thing can destroy her – the Tangaloa Bone. The race is on to recover the three pieces of this ancient weapon and the question remains: who will wield the power of the Bone Bearer? And can Leila survive its apocalyptic fury? Will the covenant of love between Daniel and Leila endure this final battle?
A Telesa World novel that continues the story of Leila and Daniel.
How do you contain a fire god?
All Leila and Daniel want is their ‘happy ever after’. But there’s a small problem – Pele isn’t dead and gone. She may not be in control of Leila anymore, but she’s still a brooding, simmering threat searching for a way out. The couple will need to turn to the ancient ways of the Taulasea for hope and healing. And Leila will need to search deep within to find the strength to reclaim herself.
A standalone novel in the Telesā World.
$10 USD (approx currency conversion)
Musing on the paradox of permanence. What lasts? Bone? Or a butterfly’s brief beauty?
“Butterfly and Bone”
Only $10 USD (approx currency conversion).
This print is from a series of three large paintings by Nikki Mariner, titled, ‘No Woman is an Island’.
Popouli is a painting that uses the life stages of a coconut to represent the optimal timing for regrowth and regeneration.
This print by Lalovai Peseta features his signature style of tatau patterns and the monochromatic palette he does so well.
The first painting of every year is significant.
It sets the tone, mood, style, and benchmark for the year.
The Cleaner was my first for 2024.
It’s a figurative painting of a woman with a broom.
She wears only a lavalava and a sei.
Inspirations.
1. I fell in love with a sculpture by Italian artist Ernesto Coter while eating in his kitchen at Santa Maria Rezzonico a few weeks earlier. The sculpture was sitting on the sideboard beside his dining table. He said it is a Samoan woman dancing. This painting is a response to the sculpture (Pic 5)
2. A new year inspires a fresh look at life, reassessment, and decluttering. It’s not the first time my first painting for a new year has included a broom. It’s about spring cleaning your life as a new year begins.
3. Spending time with my family gave me a fresh respect for two of my sisters who each successfully run their own cleaning businesses in Queensland. It’s more interesting and complex work than I expected, and what they do for their clients is admirable.
I wanted to honour cleaners so I painted gold behind her head to show she is iconic.
And she had a gold broom.
4. Samoans sweep everything regularly – the beach, the grass the house, and everything.
5. A woman with a broom is a timeless and common sight in the background of every culture and every age. I want to uplift and highlight this symbol.
As a goddess. With an iconic halo.
We have often been this person and often see this person. And they’re important and essential.
They get rid of crap and they make the world more beautiful.
Goddesses.
6. I painted a blue ocean type background because I was seeing a lot from the 2023 United Nations Climate Change Conference in Dubai, while painting. Many people I know were there representing island nations of the Pacific Ocean.
My sisters and I live different lives than we used to.
I watch their online stories traveling Europe and dancing at music festivals.
We discuss pending court cases and struggles of self-employment.
The days of desperately seeking babysitters, carpooling for school events, and borrowing from each other to pay the rent are gone.
We are less compliant and more calm.
We are more heartbroken and less cooperative.
We are smarter and deeper.
That’s what this painting is about.
Letting go. Floating.
I’ve always loved Ella Fitzgerald singing Cry Me A River.
The lyrics say it all. Cry me a river, I cried a river over you.
But the version that goes with this painting is Cry Me A River by Julie London, Live at the Americana Hotel, New York 1964. It’s breathtakingly beautiful.
So this painting is titled Cry Me A Moana and captures a similar sentiment as the song.
(Moana is a word that means ocean in several Pacific Island languages.)
Five brown-skinned full-bodied women floating in water.
They are reaching and twisting.
Their respectable white dresses become translucent, and the flower leis of honour are drifting away, and the women don’t care.
They float above fish skeletons and remnants of the past.
I hope it resonates. I want to make art that people feel, not only look at.
INSPIRATION
Mangoes are always special.
Fancy. Soft. Sweet. Round.
Celebratory and luxurious.
So this is what I infused in the figures, tones, and shapes.
It feels warm and sweet and happy.
I learned so much about mangoes doing this painting.
Eg.
🥭The paisley pattern on bandanas originates from mangoes.
🥭The leaves from a mango tree are believed to repel negative energy and attract prosperity and fertility in India where the mango is believed to originate.
ARTWORK
The starting point was the heads of the women, which followed an exact formation of mangoes hanging on a tree. Everything went from this point.
I used the colours of mangoes: orange, yellow, red, green, coral, purple. Tropical, sweet and glowy.
I used the curvy shapes of oval mangoes, long pointy leaves, and delicate long red stems laden with pale yellow tiny mango flowers.
Metallic colours of gold and copper added luxe and celebration.
This is the story of Mango Fandango.
(I used fandango in the sense of fun, party and dance).
This print is from a series of three large paintings by Nikki Mariner, titled, ‘No Woman is an Island’.
This print by To’a Sāleilua shows a steaming Samoan feast of pork, fish, breadfruit, taro and more, which are cooked using traditional methods.
Fagu Sea by Tito Pritchard is a still life painting of a shellfish delicacy in Samoa, commonly stored in recycled glass bottles and sealed with coconut husk.
Often enjoyed with breadfuit/ulu and taro.
This print by William Mauola includes ceremonial items of Samoan culture displayed in a tanoa against the background of tatau patterns.
It includes a nifo oti, ulafala, to’oto’o, fue and an aute/a red hibiscus.
This print features traditional Samoan patterns and symbols found in our siapo (tapa cloth) and tatau (tattoos).
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