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T49.95
Only $18 USD (approx currency conversion). Postage included.
The joys, trials, tragedies, and the sensibilities of being a woman of Samoa are highlighted in this superb collection. Afakasi Woman is a collection of 15 short stories, written by 2018 Pacific Laureate Lani Wendt Young. Originally released as a digital collection that won the University of the South Pacific fiction prize, this revised edition includes previously unpublished stories.Each story is brimming with emotion, offering a unique, engrossing glimpse into the lives of women of the Pacific, as Wendt Young takes readers from tears of laughter to tears of sorrow from one story to the next.
A 2020 winner of a Notable Book Storylines Award and shortlisted in the 2020 New Zealand Book Awards (NZCYA).
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A Telesa World novel that continues the story of Leila and Daniel.
How do you contain a fire god?
All Leila and Daniel want is their ‘happy ever after’. But there’s a small problem – Pele isn’t dead and gone. She may not be in control of Leila anymore, but she’s still a brooding, simmering threat searching for a way out. The couple will need to turn to the ancient ways of the Taulasea for hope and healing. And Leila will need to search deep within to find the strength to reclaim herself.
A standalone novel in the Telesā World.
$10 USD (approx currency conversion)
Only $18 USD (approx currency conversion). Includes postage.
Lies are beautiful – when the truth hurts. Sixteen years ago, Scarlet’s family sent her away in disgrace. She’s been back once – with disastrous consequences. Now, her little sister is getting married and Scarlet’s headed home once more. Will this be the reunion she’s always longed for? Or will the lies of her childhood entangle her once more in their beautiful embrace? More than ‘just a romance’, this poignant story about the tangled connections between mothers, daughters and sisters – speaks with compelling insight and humor, of inherited trauma, and of desire and deception.
Own the paperback copy for your home library.
When danger threatens the island of Niua, an ancient weapon is unleashed and Daniel Tahi must decide if he will embrace his Tongan heritage and stand alongside the Vasa Loloa sisterhood of his mother’s people. A standalone novel from the Telesā World. Inspired by mythology of Oceania, the richness of Samoan culture and the very real threats to the Pacific caused by climate change.
$10 USD (Approx currency conversion)
Buy all three books in the TELESA SERIES for only $55.00 USD (approximate currency conversion). Paperback print books, postage included in the price.
1. Telesa – The Covenant Keeper
2. Telesa – When Water Burns
3. Telesa – The Bone Bearer.
The second book in the international bestselling series, Telesa. As a malicious Telesa plots her revenge, a mysterious stranger arrives on the island. Fuelled by hate and running from a fiery past, he looks to Leila for answers and she must fight to contain the fury of fanua-afi while trying to protect all those she loves. It seems that this is a battle she must wage alone, for Daniel’s ocean birthright cannot be denied and he refuses to walk beside her. Are Leila and Daniel destined to be forever divided by the elements? When it comes to Water and Fire, daughter of earth and son of the ocean – who will endure when water burns?
Only $10 USD (approx currency conversion)
A Telesā World novel which continues the stories of key characters from the Telesā Series. It can be read as a standalone book.
Winner of the 2022 Sir Julius Vogel Award for Best Youth Novel.
Finalist, 2022 New Zealand Book Awards, Young Adult Fiction.
Internal chaos or forced deconstruction of identity? You decide.
Only $10 USD (approx currency conversion)
Only $16.00 USD, approx currency conversion. Postage included.
A delightful story from Samoa, about a young girl and her dog. A joy to read aloud with your child, in both English and Gagana Samoa. Vivid, lush illustrations hand painted by renowned artist Nikki Mariner, bring the richness and beauty of a Samoan village to life. This is a storybook your family will treasure.
This paperback print book is shipped from our suppliers in both Australia and the USA, depending on where you live. The sale price includes standard postage to customers living in New Zealand, Australia and the USA.
This print is from a series of three large paintings by Nikki Mariner, titled, ‘No Woman is an Island’.
This print by Pele Loi depicts a traditional Sunday lunch including much loved Samoan food laid out on a plate of leaves against a background of tatau patterns.
INSPIRATION
Mangoes are always special.
Fancy. Soft. Sweet. Round.
Celebratory and luxurious.
So this is what I infused in the figures, tones, and shapes.
It feels warm and sweet and happy.
I learned so much about mangoes doing this painting.
Eg.
🥭The paisley pattern on bandanas originates from mangoes.
🥭The leaves from a mango tree are believed to repel negative energy and attract prosperity and fertility in India where the mango is believed to originate.
ARTWORK
The starting point was the heads of the women, which followed an exact formation of mangoes hanging on a tree. Everything went from this point.
I used the colours of mangoes: orange, yellow, red, green, coral, purple. Tropical, sweet and glowy.
I used the curvy shapes of oval mangoes, long pointy leaves, and delicate long red stems laden with pale yellow tiny mango flowers.
Metallic colours of gold and copper added luxe and celebration.
This is the story of Mango Fandango.
(I used fandango in the sense of fun, party and dance).
This print features a favourite food in Samoa: Corned Beef or Pisupo.
Like artists for centuries, I teach myself about painting by doing my own versions of the great masters and modern icons.
Personally, I’ve never been attracted to the artwork by American artist Andy Warhol (1928-1987), but corned beef cans gave me the perfect opportunity to explore his work. Step into the experience of studying the minutiae of mundane objects and products.
It was interesting and it gave me a new appreciation.
This print by Lalovai Peseta features his signature style of tatau patterns and the monochromatic palette he does so well.
My sisters and I live different lives than we used to.
I watch their online stories traveling Europe and dancing at music festivals.
We discuss pending court cases and struggles of self-employment.
The days of desperately seeking babysitters, carpooling for school events, and borrowing from each other to pay the rent are gone.
We are less compliant and more calm.
We are more heartbroken and less cooperative.
We are smarter and deeper.
That’s what this painting is about.
Letting go. Floating.
I’ve always loved Ella Fitzgerald singing Cry Me A River.
The lyrics say it all. Cry me a river, I cried a river over you.
But the version that goes with this painting is Cry Me A River by Julie London, Live at the Americana Hotel, New York 1964. It’s breathtakingly beautiful.
So this painting is titled Cry Me A Moana and captures a similar sentiment as the song.
(Moana is a word that means ocean in several Pacific Island languages.)
Five brown-skinned full-bodied women floating in water.
They are reaching and twisting.
Their respectable white dresses become translucent, and the flower leis of honour are drifting away, and the women don’t care.
They float above fish skeletons and remnants of the past.
I hope it resonates. I want to make art that people feel, not only look at.
This print is from a series of three large paintings by Nikki Mariner, titled, ‘No Woman is an Island’.
The first painting of every year is significant.
It sets the tone, mood, style, and benchmark for the year.
The Cleaner was my first for 2024.
It’s a figurative painting of a woman with a broom.
She wears only a lavalava and a sei.
Inspirations.
1. I fell in love with a sculpture by Italian artist Ernesto Coter while eating in his kitchen at Santa Maria Rezzonico a few weeks earlier. The sculpture was sitting on the sideboard beside his dining table. He said it is a Samoan woman dancing. This painting is a response to the sculpture (Pic 5)
2. A new year inspires a fresh look at life, reassessment, and decluttering. It’s not the first time my first painting for a new year has included a broom. It’s about spring cleaning your life as a new year begins.
3. Spending time with my family gave me a fresh respect for two of my sisters who each successfully run their own cleaning businesses in Queensland. It’s more interesting and complex work than I expected, and what they do for their clients is admirable.
I wanted to honour cleaners so I painted gold behind her head to show she is iconic.
And she had a gold broom.
4. Samoans sweep everything regularly – the beach, the grass the house, and everything.
5. A woman with a broom is a timeless and common sight in the background of every culture and every age. I want to uplift and highlight this symbol.
As a goddess. With an iconic halo.
We have often been this person and often see this person. And they’re important and essential.
They get rid of crap and they make the world more beautiful.
Goddesses.
6. I painted a blue ocean type background because I was seeing a lot from the 2023 United Nations Climate Change Conference in Dubai, while painting. Many people I know were there representing island nations of the Pacific Ocean.
This print features traditional Samoan patterns and symbols found in our siapo (tapa cloth) and tatau (tattoos).
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