Afakasi Woman – Print Book, Paperback

Craving nature, feeling anti-technology, craving authenticity, resenting clocks and calendars and dresscodes, imagining living off the land, channeling ancestors, craving trees and fruit, and fresh air.

The first painting of every year is significant.
It sets the tone, mood, style, and benchmark for the year.

The Cleaner was my first for 2024.

It’s a figurative painting of a woman with a broom.
She wears only a lavalava and a sei.

Inspirations.

1. I fell in love with a sculpture by Italian artist Ernesto Coter while eating in his kitchen at Santa Maria Rezzonico a few weeks earlier. The sculpture was sitting on the sideboard beside his dining table. He said it is a Samoan woman dancing. This painting is a response to the sculpture (Pic 5)

2. A new year inspires a fresh look at life, reassessment, and decluttering. It’s not the first time my first painting for a new year has included a broom. It’s about spring cleaning your life as a new year begins.

3. Spending time with my family gave me a fresh respect for two of my sisters who each successfully run their own cleaning businesses in Queensland. It’s more interesting and complex work than I expected, and what they do for their clients is admirable.
I wanted to honour cleaners so I painted gold behind her head to show she is iconic.
And she had a gold broom.

4. Samoans sweep everything regularly – the beach, the grass the house, and everything.

5. A woman with a broom is a timeless and common sight in the background of every culture and every age. I want to uplift and highlight this symbol.
As a goddess. With an iconic halo.
We have often been this person and often see this person. And they’re important and essential.
They get rid of crap and they make the world more beautiful.
Goddesses.

6. I painted a blue ocean type background because I was seeing a lot from the 2023 United Nations Climate Change Conference in Dubai, while painting. Many people I know were there representing island nations of the Pacific Ocean.

The original painting was exhibited and sold at the Regenerating Oceania Exhibition at the 13th Festival of Pacific Arts and Culture in Honolulu 6-16 June 2024.

This print is a deep statement about motherhood and the crucial role mothers have in sustaining society in Oceania.