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The joys, trials, tragedies, and the sensibilities of being a woman of Samoa are highlighted in this superb collection. Afakasi Woman is a collection of 15 short stories, written by 2018 Pacific Laureate Lani Wendt Young. Originally released as a digital collection that won the University of the South Pacific fiction prize, this revised edition includes previously unpublished stories.Each story is brimming with emotion, offering a unique, engrossing glimpse into the lives of women of the Pacific, as Wendt Young takes readers from tears of laughter to tears of sorrow from one story to the next.
A 2020 winner of a Notable Book Storylines Award and shortlisted in the 2020 New Zealand Book Awards (NZCYA).
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An island of secrets. A girl on fire. An epic battle of the elements. The book that started it all…
Only $10 USD (approx currency conversion)
Only $18 USD (approx currency conversion). Includes postage.
Lies are beautiful – when the truth hurts. Sixteen years ago, Scarlet’s family sent her away in disgrace. She’s been back once – with disastrous consequences. Now, her little sister is getting married and Scarlet’s headed home once more. Will this be the reunion she’s always longed for? Or will the lies of her childhood entangle her once more in their beautiful embrace? More than ‘just a romance’, this poignant story about the tangled connections between mothers, daughters and sisters – speaks with compelling insight and humor, of inherited trauma, and of desire and deception.
Own the paperback copy for your home library.
2019 Winner of a NZ Storylines Notable Book Award.
2019 Finalist in the NZ Book Awards, Young Adult Fiction.
A collection of short stories from Samoa, by Lani Wendt Young. “The joys, the trials, the tragedies, and the sensibilities of being a woman of Samoa are highlighted in this superb collection. Each story is brimming with emotion, offering a unique, engrossing glimpse into the lives of women of the Pacific, as Young takes readers from tears of laughter to tears of sorrow from one story to the next.”
Only $10 USD.
When danger threatens the island of Niua, an ancient weapon is unleashed and Daniel Tahi must decide if he will embrace his Tongan heritage and stand alongside the Vasa Loloa sisterhood of his mother’s people. A standalone novel from the Telesā World. Inspired by mythology of Oceania, the richness of Samoan culture and the very real threats to the Pacific caused by climate change.
$10 USD (Approx currency conversion)
Every woman has her breaking point. Has Scarlet reached hers? In this beautifully crafted tale of redemption and renewal, Scarlet must choose between staying in the shadows of weighty family secrets, or stepping out into the light, and thus risking it all. Can she do it? And will Jackson be a part of that journey? The thrilling conclusion to the heat, humour and heartache of the Scarlet Lies Series.
Only $10 USD.
Yellows, greens and browns. Not colours I usually use but you can’t argue with nature’s beauty.
Then the title just seemed so obvious and perfect.
Misiluki is Samoan for Lady Finger bananas.
Lady Fingers. Five digits on a hand and five is the number of sisters I paint over and over again.
This bunch of five sisters are all grown up.
The original painting was exhibited and sold at the Regenerating Oceania Exhibition at the 13th Festival of Pacific Arts and Culture in Honolulu 6-16 June 2024.
This print is a deep statement about motherhood and the crucial role mothers have in sustaining society in Oceania.
This print by Pele Loi features a bird feeding in the natural Samoan environment against a bright blue background of Samoan tatau patterns.
The first painting of every year is significant.
It sets the tone, mood, style, and benchmark for the year.
The Cleaner was my first for 2024.
It’s a figurative painting of a woman with a broom.
She wears only a lavalava and a sei.
Inspirations.
1. I fell in love with a sculpture by Italian artist Ernesto Coter while eating in his kitchen at Santa Maria Rezzonico a few weeks earlier. The sculpture was sitting on the sideboard beside his dining table. He said it is a Samoan woman dancing. This painting is a response to the sculpture (Pic 5)
2. A new year inspires a fresh look at life, reassessment, and decluttering. It’s not the first time my first painting for a new year has included a broom. It’s about spring cleaning your life as a new year begins.
3. Spending time with my family gave me a fresh respect for two of my sisters who each successfully run their own cleaning businesses in Queensland. It’s more interesting and complex work than I expected, and what they do for their clients is admirable.
I wanted to honour cleaners so I painted gold behind her head to show she is iconic.
And she had a gold broom.
4. Samoans sweep everything regularly – the beach, the grass the house, and everything.
5. A woman with a broom is a timeless and common sight in the background of every culture and every age. I want to uplift and highlight this symbol.
As a goddess. With an iconic halo.
We have often been this person and often see this person. And they’re important and essential.
They get rid of crap and they make the world more beautiful.
Goddesses.
6. I painted a blue ocean type background because I was seeing a lot from the 2023 United Nations Climate Change Conference in Dubai, while painting. Many people I know were there representing island nations of the Pacific Ocean.
This print by Pele Loi depicts a traditional Sunday lunch including much loved Samoan food laid out on a plate of leaves against a background of tatau patterns.
This print is from a series of three large paintings by Nikki Mariner, titled, ‘No Woman is an Island’.
Fagu Sea by Tito Pritchard is a still life painting of a shellfish delicacy in Samoa, commonly stored in recycled glass bottles and sealed with coconut husk.
Often enjoyed with breadfuit/ulu and taro.
This print by To’a Sāleilua shows a steaming Samoan feast of pork, fish, breadfruit, taro and more, which are cooked using traditional methods.
This print is from a series of three large paintings by Nikki Mariner, titled, ‘No Woman is an Island’.
Craving nature, feeling anti-technology, craving authenticity, resenting clocks and calendars and dresscodes, imagining living off the land, channeling ancestors, craving trees and fruit, and fresh air.
INSPIRATION
Mangoes are always special.
Fancy. Soft. Sweet. Round.
Celebratory and luxurious.
So this is what I infused in the figures, tones, and shapes.
It feels warm and sweet and happy.
I learned so much about mangoes doing this painting.
Eg.
🥭The paisley pattern on bandanas originates from mangoes.
🥭The leaves from a mango tree are believed to repel negative energy and attract prosperity and fertility in India where the mango is believed to originate.
ARTWORK
The starting point was the heads of the women, which followed an exact formation of mangoes hanging on a tree. Everything went from this point.
I used the colours of mangoes: orange, yellow, red, green, coral, purple. Tropical, sweet and glowy.
I used the curvy shapes of oval mangoes, long pointy leaves, and delicate long red stems laden with pale yellow tiny mango flowers.
Metallic colours of gold and copper added luxe and celebration.
This is the story of Mango Fandango.
(I used fandango in the sense of fun, party and dance).
This print by Lalovai Peseta features his signature style of tatau patterns and the monochromatic palette he does so well.
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