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T49.95
Only $18 USD (approx currency conversion). Postage included.
The joys, trials, tragedies, and the sensibilities of being a woman of Samoa are highlighted in this superb collection. Afakasi Woman is a collection of 15 short stories, written by 2018 Pacific Laureate Lani Wendt Young. Originally released as a digital collection that won the University of the South Pacific fiction prize, this revised edition includes previously unpublished stories.Each story is brimming with emotion, offering a unique, engrossing glimpse into the lives of women of the Pacific, as Wendt Young takes readers from tears of laughter to tears of sorrow from one story to the next.
A 2020 winner of a Notable Book Storylines Award and shortlisted in the 2020 New Zealand Book Awards (NZCYA).
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Only $18 USD (approx currency conversion). Includes postage.
Numbers are Tamarina’s language. And there’s no room in her equations for love. Or is there? A sweet sultry love story about a math genius and a mechanic. Return to Scarlet’s world, only this time read her sister Tamarina’s story.
When danger threatens the island of Niua, an ancient weapon is unleashed and Daniel Tahi must decide if he will embrace his Tongan heritage and stand alongside the Vasa Loloa sisterhood of his mother’s people. A standalone novel from the Telesā World. Inspired by mythology of Oceania, the richness of Samoan culture and the very real threats to the Pacific caused by climate change.
$10 USD (Approx currency conversion)
Only $18 USD (approx currency conversion). Includes postage.
Every woman has her breaking point. Has Scarlet reached hers? In this beautifully crafted tale of redemption and renewal, Scarlet must choose between staying in the shadows of weighty family secrets, or stepping out into the light, and thus risking it all. Can she do it? And will Jackson be a part of that journey? The thrilling conclusion to the heat, humour and heartache of the Scarlet Lies Series.
2019 Winner of a NZ Storylines Notable Book Award.
2019 Finalist in the NZ Book Awards, Young Adult Fiction.
A collection of short stories from Samoa, by Lani Wendt Young. “The joys, the trials, the tragedies, and the sensibilities of being a woman of Samoa are highlighted in this superb collection. Each story is brimming with emotion, offering a unique, engrossing glimpse into the lives of women of the Pacific, as Young takes readers from tears of laughter to tears of sorrow from one story to the next.”
Only $10 USD.
Bella and her dog Bongo are best friends. But Bongo loves to bark. At everyone and everything in the village. “Halu Bongo!” is heard everyday as passersby try to chase him away. With so many complaints about Bongo, it looks like Bella and her best friend might be parted. Until a robber comes to the village. Can Bongo’s barking save the day?
A delightful story about a young girl and her dog. A joy to read aloud with children, in both English and Gagana Samoa. Vivid, lush illustrations hand painted by renowned artist Nikki Mariner, bring the richness and beauty of a Samoan village to life. Created in Samoa, this is a story book your family will treasure.
Only $10 USD.
Numbers are Tamarina’s language. And there’s no room in her equations for love. Or is there? A sweet sultry love story about a math genius and a mechanic. Return to Scarlet’s world, only this time read her sister Tamarina’s story.
Only $10 USD. (Approx currency exchange)
Watermelon was the inspiration behind the colour palette and title of this print.
The original painting was one of three in a series of artworks of five sisters and all were related to a different fruit.
Fun, bright and relaxed – the watermelon vibe.
Playing with poem structure, paint, and Samoan markings.
Small paintings inspired by the 7 metre by 2 metre works (pic 6) I created for the VIP Terminal Lounge at Faleolo International Airport.
A tanka poem is derived from Japanese poetry arranged in five lines with a 5-7-5-7-7 syllable count.
This print features traditional Samoan patterns and symbols found in our siapo (tapa cloth) and tatau (tattoos).
The first painting of every year is significant.
It sets the tone, mood, style, and benchmark for the year.
The Cleaner was my first for 2024.
It’s a figurative painting of a woman with a broom.
She wears only a lavalava and a sei.
Inspirations.
1. I fell in love with a sculpture by Italian artist Ernesto Coter while eating in his kitchen at Santa Maria Rezzonico a few weeks earlier. The sculpture was sitting on the sideboard beside his dining table. He said it is a Samoan woman dancing. This painting is a response to the sculpture (Pic 5)
2. A new year inspires a fresh look at life, reassessment, and decluttering. It’s not the first time my first painting for a new year has included a broom. It’s about spring cleaning your life as a new year begins.
3. Spending time with my family gave me a fresh respect for two of my sisters who each successfully run their own cleaning businesses in Queensland. It’s more interesting and complex work than I expected, and what they do for their clients is admirable.
I wanted to honour cleaners so I painted gold behind her head to show she is iconic.
And she had a gold broom.
4. Samoans sweep everything regularly – the beach, the grass the house, and everything.
5. A woman with a broom is a timeless and common sight in the background of every culture and every age. I want to uplift and highlight this symbol.
As a goddess. With an iconic halo.
We have often been this person and often see this person. And they’re important and essential.
They get rid of crap and they make the world more beautiful.
Goddesses.
6. I painted a blue ocean type background because I was seeing a lot from the 2023 United Nations Climate Change Conference in Dubai, while painting. Many people I know were there representing island nations of the Pacific Ocean.
This print by Tito Pritchard uses a cubism style to play with a tanoa and ula fala.
Yellows, greens and browns. Not colours I usually use but you can’t argue with nature’s beauty.
Then the title just seemed so obvious and perfect.
Misiluki is Samoan for Lady Finger bananas.
Lady Fingers. Five digits on a hand and five is the number of sisters I paint over and over again.
This bunch of five sisters are all grown up.
This print by Pele Loi depicts a traditional Sunday lunch including much loved Samoan food laid out on a plate of leaves against a background of tatau patterns.
Pele paints a contemporary visualisation of icons of Samoan culture. The tanoa becomes a crown, a tuiga made of tatau symbols, flowing ribbons of elei, and flowers adorn a skull.
Musing on the paradox of permanence. What lasts? Bone? Or a butterfly’s brief beauty?
“Butterfly and Bone”
Only $10 USD (approx currency conversion).
My sisters and I live different lives than we used to.
I watch their online stories traveling Europe and dancing at music festivals.
We discuss pending court cases and struggles of self-employment.
The days of desperately seeking babysitters, carpooling for school events, and borrowing from each other to pay the rent are gone.
We are less compliant and more calm.
We are more heartbroken and less cooperative.
We are smarter and deeper.
That’s what this painting is about.
Letting go. Floating.
I’ve always loved Ella Fitzgerald singing Cry Me A River.
The lyrics say it all. Cry me a river, I cried a river over you.
But the version that goes with this painting is Cry Me A River by Julie London, Live at the Americana Hotel, New York 1964. It’s breathtakingly beautiful.
So this painting is titled Cry Me A Moana and captures a similar sentiment as the song.
(Moana is a word that means ocean in several Pacific Island languages.)
Five brown-skinned full-bodied women floating in water.
They are reaching and twisting.
Their respectable white dresses become translucent, and the flower leis of honour are drifting away, and the women don’t care.
They float above fish skeletons and remnants of the past.
I hope it resonates. I want to make art that people feel, not only look at.
Every woman has her breaking point. Has Scarlet reached hers? In this beautifully crafted tale of redemption and renewal, Scarlet must choose between staying in the shadows of weighty family secrets, or stepping out into the light, and thus risking it all. Can she do it? And will Jackson be a part of that journey? The thrilling conclusion to the heat, humour and heartache of the Scarlet Lies Series.
Only $10 USD.
The original painting was exhibited and sold at the Regenerating Oceania Exhibition at the 13th Festival of Pacific Arts and Culture in Honolulu 6-16 June 2024.
This print is a deep statement about motherhood and the crucial role mothers have in sustaining society in Oceania.
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