



Popouli
T75.00
Price Summary
- T75.00
- T75.00
- T75.00
Popouli is a painting that uses the life stages of a coconut to represent the optimal timing for regrowth and regeneration.
Vendor Information
- Store Name: Lalovai Peseta
- Vendor: Lalovai Peseta
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Pacific Blue Madonna
The original painting was exhibited and sold at the Regenerating Oceania Exhibition at the 13th Festival of Pacific Arts and Culture in Honolulu 6-16 June 2024.
This print is a deep statement about motherhood and the crucial role mothers have in sustaining society in Oceania.
Pretty Crabby
This print by Lalovai Peseta features his signature style of tatau patterns and the monochromatic palette he does so well.
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The Editor
Internal chaos or forced deconstruction of identity? You decide.
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Cry Me A Moana
My sisters and I live different lives than we used to.
I watch their online stories traveling Europe and dancing at music festivals.
We discuss pending court cases and struggles of self-employment.
The days of desperately seeking babysitters, carpooling for school events, and borrowing from each other to pay the rent are gone.
We are less compliant and more calm.
We are more heartbroken and less cooperative.
We are smarter and deeper.
That’s what this painting is about.
Letting go. Floating.
I’ve always loved Ella Fitzgerald singing Cry Me A River.
The lyrics say it all. Cry me a river, I cried a river over you.
But the version that goes with this painting is Cry Me A River by Julie London, Live at the Americana Hotel, New York 1964. It’s breathtakingly beautiful.
So this painting is titled Cry Me A Moana and captures a similar sentiment as the song.
(Moana is a word that means ocean in several Pacific Island languages.)
Five brown-skinned full-bodied women floating in water.
They are reaching and twisting.
Their respectable white dresses become translucent, and the flower leis of honour are drifting away, and the women don’t care.
They float above fish skeletons and remnants of the past.
I hope it resonates. I want to make art that people feel, not only look at.
Daughters of the Waters
This print is from a series of three large paintings by Nikki Mariner, titled, ‘No Woman is an Island’.
Visiting the Seamstress | Alu I le Su’isu’i
Going to your seamstress for a new dress or puletasi, choosing your material, being measured all over your body, hearing feedback about your measurements, discussing the design, discussing the event… it’s a whole thing.
#ifykyk
That’s what this painting is about.
Me Time
This painting is about trying to capture the individual experience of looking inside for clarity and truth and looking outside for strength or inspiration.
I painted it as I was learning to meditate.
An unlikely sources of artistic inspiration in this depiction of a Samoan woman is mosque architecture.
My Time
The image that comes to mind is a figure inside an hourglass with most of her body in the lower half and just a head and arm reaching through to the top half.
I decided on the most simplistic abstract form following the style of Matisse.
It seemed to make the image more universal.
Everyone knows the feeling of time running out but not giving up.
Free as a Bird by Pele Loi
This print by Pele Loi features a bird feeding in the natural Samoan environment against a bright blue background of Samoan tatau patterns.
Seedless and Chilled
Watermelon was the inspiration behind the colour palette and title of this print.
The original painting was one of three in a series of artworks of five sisters and all were related to a different fruit.
Fun, bright and relaxed – the watermelon vibe.
Cinquain
Playing with poem structure, paint, and Samoan markings.
Small paintings inspired by the 7 metre by 2 metre works (pic 6) I created for the VIP Terminal Lounge at Faleolo International Airport.
The cinquain poem was invented by an American poet, and she drew inspiration from Japanese forms such as haiku and tanka, which are arranged in five lines. The cinquain has a syllable count of 2- 4 – 6 – 8 – 2.
Sisters of the Sun
This print is from a series of three large paintings by Nikki Mariner, titled, ‘No Woman is an Island’.


















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