



Popouli
T75.00
Price Summary
- T75.00
- T75.00
- T75.00
Popouli is a painting that uses the life stages of a coconut to represent the optimal timing for regrowth and regeneration.
Vendor Information
- Store Name: Lalovai Peseta
- Vendor: Lalovai Peseta
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Pacific Blue Madonna
The original painting was exhibited and sold at the Regenerating Oceania Exhibition at the 13th Festival of Pacific Arts and Culture in Honolulu 6-16 June 2024.
This print is a deep statement about motherhood and the crucial role mothers have in sustaining society in Oceania.
Pretty Crabby
This print by Lalovai Peseta features his signature style of tatau patterns and the monochromatic palette he does so well.
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Seedless and Chilled
Watermelon was the inspiration behind the colour palette and title of this print.
The original painting was one of three in a series of artworks of five sisters and all were related to a different fruit.
Fun, bright and relaxed – the watermelon vibe.
Mamanu by Pele Loi
This print features traditional Samoan patterns and symbols found in our siapo (tapa cloth) and tatau (tattoos).
Selu by Tito Pritchard
This print by young artist and carver Tito Pritchard features a traditional Samoan hair comb which is carved from wood.
The Cleaner
The first painting of every year is significant.
It sets the tone, mood, style, and benchmark for the year.
The Cleaner was my first for 2024.
It’s a figurative painting of a woman with a broom.
She wears only a lavalava and a sei.
Inspirations.
1. I fell in love with a sculpture by Italian artist Ernesto Coter while eating in his kitchen at Santa Maria Rezzonico a few weeks earlier. The sculpture was sitting on the sideboard beside his dining table. He said it is a Samoan woman dancing. This painting is a response to the sculpture (Pic 5)
2. A new year inspires a fresh look at life, reassessment, and decluttering. It’s not the first time my first painting for a new year has included a broom. It’s about spring cleaning your life as a new year begins.
3. Spending time with my family gave me a fresh respect for two of my sisters who each successfully run their own cleaning businesses in Queensland. It’s more interesting and complex work than I expected, and what they do for their clients is admirable.
I wanted to honour cleaners so I painted gold behind her head to show she is iconic.
And she had a gold broom.
4. Samoans sweep everything regularly – the beach, the grass the house, and everything.
5. A woman with a broom is a timeless and common sight in the background of every culture and every age. I want to uplift and highlight this symbol.
As a goddess. With an iconic halo.
We have often been this person and often see this person. And they’re important and essential.
They get rid of crap and they make the world more beautiful.
Goddesses.
6. I painted a blue ocean type background because I was seeing a lot from the 2023 United Nations Climate Change Conference in Dubai, while painting. Many people I know were there representing island nations of the Pacific Ocean.
Fragility
- From her art series, “Butterfly and Bone”. A mixed media artwork inspired by artist Bradley Theodore. Bella seeks to explore life and death using both digital artistry and traditional watercolor.
Only $10 USD (approx currency conversion)
Mango Fandango
INSPIRATION
Mangoes are always special.
Fancy. Soft. Sweet. Round.
Celebratory and luxurious.
So this is what I infused in the figures, tones, and shapes.
It feels warm and sweet and happy.
I learned so much about mangoes doing this painting.
Eg.
🥭The paisley pattern on bandanas originates from mangoes.
🥭The leaves from a mango tree are believed to repel negative energy and attract prosperity and fertility in India where the mango is believed to originate.
ARTWORK
The starting point was the heads of the women, which followed an exact formation of mangoes hanging on a tree. Everything went from this point.
I used the colours of mangoes: orange, yellow, red, green, coral, purple. Tropical, sweet and glowy.
I used the curvy shapes of oval mangoes, long pointy leaves, and delicate long red stems laden with pale yellow tiny mango flowers.
Metallic colours of gold and copper added luxe and celebration.
This is the story of Mango Fandango.
(I used fandango in the sense of fun, party and dance).
Fagu Sea by Tito Pritchard
Fagu Sea by Tito Pritchard is a still life painting of a shellfish delicacy in Samoa, commonly stored in recycled glass bottles and sealed with coconut husk.
Often enjoyed with breadfuit/ulu and taro.
Me Time
This painting is about trying to capture the individual experience of looking inside for clarity and truth and looking outside for strength or inspiration.
I painted it as I was learning to meditate.
An unlikely sources of artistic inspiration in this depiction of a Samoan woman is mosque architecture.
My Time
The image that comes to mind is a figure inside an hourglass with most of her body in the lower half and just a head and arm reaching through to the top half.
I decided on the most simplistic abstract form following the style of Matisse.
It seemed to make the image more universal.
Everyone knows the feeling of time running out but not giving up.
Cry Me A Moana
My sisters and I live different lives than we used to.
I watch their online stories traveling Europe and dancing at music festivals.
We discuss pending court cases and struggles of self-employment.
The days of desperately seeking babysitters, carpooling for school events, and borrowing from each other to pay the rent are gone.
We are less compliant and more calm.
We are more heartbroken and less cooperative.
We are smarter and deeper.
That’s what this painting is about.
Letting go. Floating.
I’ve always loved Ella Fitzgerald singing Cry Me A River.
The lyrics say it all. Cry me a river, I cried a river over you.
But the version that goes with this painting is Cry Me A River by Julie London, Live at the Americana Hotel, New York 1964. It’s breathtakingly beautiful.
So this painting is titled Cry Me A Moana and captures a similar sentiment as the song.
(Moana is a word that means ocean in several Pacific Island languages.)
Five brown-skinned full-bodied women floating in water.
They are reaching and twisting.
Their respectable white dresses become translucent, and the flower leis of honour are drifting away, and the women don’t care.
They float above fish skeletons and remnants of the past.
I hope it resonates. I want to make art that people feel, not only look at.
Lady Fingers | Misiluki
- I was staring at banana trees when I started painting this and deciding on a colour palette.
Yellows, greens and browns. Not colours I usually use but you can’t argue with nature’s beauty.
Then the title just seemed so obvious and perfect.
Misiluki is Samoan for Lady Finger bananas.
Lady Fingers. Five digits on a hand and five is the number of sisters I paint over and over again.
This bunch of five sisters are all grown up.

















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