



Popouli
T75.00
Price Summary
- T75.00
- T75.00
- T75.00
Popouli is a painting that uses the life stages of a coconut to represent the optimal timing for regrowth and regeneration.
Vendor Information
- Store Name: Lalovai Peseta
- Vendor: Lalovai Peseta
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Pretty Crabby
This print by Lalovai Peseta features his signature style of tatau patterns and the monochromatic palette he does so well.
Pacific Blue Madonna
The original painting was exhibited and sold at the Regenerating Oceania Exhibition at the 13th Festival of Pacific Arts and Culture in Honolulu 6-16 June 2024.
This print is a deep statement about motherhood and the crucial role mothers have in sustaining society in Oceania.
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Lady Fingers | Misiluki
- I was staring at banana trees when I started painting this and deciding on a colour palette.
Yellows, greens and browns. Not colours I usually use but you can’t argue with nature’s beauty.
Then the title just seemed so obvious and perfect.
Misiluki is Samoan for Lady Finger bananas.
Lady Fingers. Five digits on a hand and five is the number of sisters I paint over and over again.
This bunch of five sisters are all grown up.
Memory of Flight
Musing on the paradox of permanence. What lasts? Bone? Or a butterfly’s brief beauty?
“Butterfly and Bone”
Only $10 USD (approx currency conversion).
Mango Fandango
INSPIRATION
Mangoes are always special.
Fancy. Soft. Sweet. Round.
Celebratory and luxurious.
So this is what I infused in the figures, tones, and shapes.
It feels warm and sweet and happy.
I learned so much about mangoes doing this painting.
Eg.
🥭The paisley pattern on bandanas originates from mangoes.
🥭The leaves from a mango tree are believed to repel negative energy and attract prosperity and fertility in India where the mango is believed to originate.
ARTWORK
The starting point was the heads of the women, which followed an exact formation of mangoes hanging on a tree. Everything went from this point.
I used the colours of mangoes: orange, yellow, red, green, coral, purple. Tropical, sweet and glowy.
I used the curvy shapes of oval mangoes, long pointy leaves, and delicate long red stems laden with pale yellow tiny mango flowers.
Metallic colours of gold and copper added luxe and celebration.
This is the story of Mango Fandango.
(I used fandango in the sense of fun, party and dance).
Cry Me A Moana
My sisters and I live different lives than we used to.
I watch their online stories traveling Europe and dancing at music festivals.
We discuss pending court cases and struggles of self-employment.
The days of desperately seeking babysitters, carpooling for school events, and borrowing from each other to pay the rent are gone.
We are less compliant and more calm.
We are more heartbroken and less cooperative.
We are smarter and deeper.
That’s what this painting is about.
Letting go. Floating.
I’ve always loved Ella Fitzgerald singing Cry Me A River.
The lyrics say it all. Cry me a river, I cried a river over you.
But the version that goes with this painting is Cry Me A River by Julie London, Live at the Americana Hotel, New York 1964. It’s breathtakingly beautiful.
So this painting is titled Cry Me A Moana and captures a similar sentiment as the song.
(Moana is a word that means ocean in several Pacific Island languages.)
Five brown-skinned full-bodied women floating in water.
They are reaching and twisting.
Their respectable white dresses become translucent, and the flower leis of honour are drifting away, and the women don’t care.
They float above fish skeletons and remnants of the past.
I hope it resonates. I want to make art that people feel, not only look at.
Me Time
This painting is about trying to capture the individual experience of looking inside for clarity and truth and looking outside for strength or inspiration.
I painted it as I was learning to meditate.
An unlikely sources of artistic inspiration in this depiction of a Samoan woman is mosque architecture.
Pacific Blue Madonna
The original painting was exhibited and sold at the Regenerating Oceania Exhibition at the 13th Festival of Pacific Arts and Culture in Honolulu 6-16 June 2024.
This print is a deep statement about motherhood and the crucial role mothers have in sustaining society in Oceania.
Tanka
Playing with poem structure, paint, and Samoan markings.
Small paintings inspired by the 7 metre by 2 metre works (pic 6) I created for the VIP Terminal Lounge at Faleolo International Airport.
A tanka poem is derived from Japanese poetry arranged in five lines with a 5-7-5-7-7 syllable count.
Umu Feast by To’a Sāleilua
This print by To’a Sāleilua shows a steaming Samoan feast of pork, fish, breadfruit, taro and more, which are cooked using traditional methods.
Suga Skull by Pele Loi
Pele paints a contemporary visualisation of icons of Samoan culture. The tanoa becomes a crown, a tuiga made of tatau symbols, flowing ribbons of elei, and flowers adorn a skull.
Villanelle
Playing with poetry structure and paint using Samoan markings.
These small paintings about poetry are inspired by the huge paintings (pic 6) I created for the VIP Lounge at Faleolo International Airport.
The villanelle originated in Italian and Spanish folk songs and in the late nineteenth century, the French began to form the villanelle into a more fixed poetry structure of nineteenth lines: 5 lots of 3, and concluding with a set of 4 lines.
Fagu Sea by Tito Pritchard
Fagu Sea by Tito Pritchard is a still life painting of a shellfish delicacy in Samoa, commonly stored in recycled glass bottles and sealed with coconut husk.
Often enjoyed with breadfuit/ulu and taro.

















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