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The Pasefika Tote Bag

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  • T275.00
  • T275.00
  • T275.00
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RED AUTE
Highlights:

ONLY $99.95 USD. (Approx currency conversion). Discover our signature tote bag, meticulously made by hand in Samoa. Each one a unique piece of art with no two bags the same. This Supa Deluxe sized Tote bag features exclusive, hand-printed elei fabric showcasing bold cultural patterns inspired by our heritage. Crafted for durability from heavy cotton, reinforced handles, soft yet strong – it is washable and practical. This isn’t just a bag, it’s a wearable piece of art and a conversation starter. Take it to the office, to the beach, or on your next international flight, this is a bag that can go anywhere in style. Own a functional treasure that supports local artisans and lets you carry a piece of Samoa with you everywhere.

22 inches x 20 inches, not including the shoulder straps. 100% cotton.

Do you feel this product is perfect for a friend or a loved one? You can buy a gift card for this item! Gift this product
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Lani Young
RED AUTE

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Weight .3 kg
Dimensions 50 × 55 cm
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  • Store Name: Lani Young
  • Vendor: Lani Young
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Sisters of the Sun

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Highlights:

This print is from a series of three large paintings by Nikki Mariner, titled, ‘No Woman is an Island’.

☀️SISTERS OF THE SUN,
🌊DAUGHTERS OF THE WATERS,
🌳WOMEN OF THE WOODS
Representing Samoa at the 13th Festival of Pacific Arts and Culture in Hawaii in 2024, the theme of the exhibition was Regenerating Oceania.
From the artist: “I asked myself what are the defining elements of a tropical island?
And I came up with three:
•surrounded by ocean,
•lush green jungles and forests
• heat from the sun.
So I painted groups of women in these three themes – forest, ocean, sun.
Painting groups rather than an individual figure symbolizes the collectivism of Pacific cultures and acknowledges the tight social bonds as a superpower towards Regenerating Oceania.
Each piece uses colour, shapes, pattern, and texture to express the feeling of each element of a tropical island – life in Oceania.

 

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Free as a birdFree as a bird

Free as a Bird by Pele Loi

Listed By: Nikki Mariner
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This print by Pele Loi features a bird feeding in the natural Samoan environment against a bright blue background of Samoan tatau patterns.

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Cry Me A Moana

Listed By: Nikki Mariner
Highlights:

My sisters and I live different lives than we used to.

I watch their online stories traveling Europe and dancing at music festivals.
We discuss pending court cases and struggles of self-employment.

The days of desperately seeking babysitters, carpooling for school events, and borrowing from each other to pay the rent are gone.

We are less compliant and more calm.
We are more heartbroken and less cooperative.
We are smarter and deeper.

That’s what this painting is about.
Letting go. Floating.

I’ve always loved Ella Fitzgerald singing Cry Me A River.
The lyrics say it all. Cry me a river, I cried a river over you.

But the version that goes with this painting is Cry Me A River by Julie London, Live at the Americana Hotel, New York 1964. It’s breathtakingly beautiful.

So this painting is titled Cry Me A Moana and captures a similar sentiment as the song.
(Moana is a word that means ocean in several Pacific Island languages.)

Five brown-skinned full-bodied women floating in water.
They are reaching and twisting.
Their respectable white dresses become translucent, and the flower leis of honour are drifting away, and the women don’t care.
They float above fish skeletons and remnants of the past.

I hope it resonates. I want to make art that people feel, not only look at.

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Scarlet Redemption
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Scarlet Redemption (Book Three in the Scarlet Series)

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The Cleaner

Listed By: Nikki Mariner
Highlights:

The first painting of every year is significant.
It sets the tone, mood, style, and benchmark for the year.

The Cleaner was my first for 2024.

It’s a figurative painting of a woman with a broom.
She wears only a lavalava and a sei.

Inspirations.

1. I fell in love with a sculpture by Italian artist Ernesto Coter while eating in his kitchen at Santa Maria Rezzonico a few weeks earlier. The sculpture was sitting on the sideboard beside his dining table. He said it is a Samoan woman dancing. This painting is a response to the sculpture (Pic 5)

2. A new year inspires a fresh look at life, reassessment, and decluttering. It’s not the first time my first painting for a new year has included a broom. It’s about spring cleaning your life as a new year begins.

3. Spending time with my family gave me a fresh respect for two of my sisters who each successfully run their own cleaning businesses in Queensland. It’s more interesting and complex work than I expected, and what they do for their clients is admirable.
I wanted to honour cleaners so I painted gold behind her head to show she is iconic.
And she had a gold broom.

4. Samoans sweep everything regularly – the beach, the grass the house, and everything.

5. A woman with a broom is a timeless and common sight in the background of every culture and every age. I want to uplift and highlight this symbol.
As a goddess. With an iconic halo.
We have often been this person and often see this person. And they’re important and essential.
They get rid of crap and they make the world more beautiful.
Goddesses.

6. I painted a blue ocean type background because I was seeing a lot from the 2023 United Nations Climate Change Conference in Dubai, while painting. Many people I know were there representing island nations of the Pacific Ocean.

 

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Mamanu by Pele Loi

Listed By: Nikki Mariner
Highlights:

This print features traditional Samoan patterns and symbols found in our siapo (tapa cloth) and tatau (tattoos).

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Lady Fingers | Misiluki

Listed By: Nikki Mariner
Highlights:
  • I was staring at banana trees when I started painting this and deciding on a colour palette.

Yellows, greens and browns. Not colours I usually use but you can’t argue with nature’s beauty.

Then the title just seemed so obvious and perfect.

Misiluki is Samoan for Lady Finger bananas.
Lady Fingers. Five digits on a hand and five is the number of sisters I paint over and over again.

This bunch of five sisters are all grown up.

 

T250.00
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Mango Fandango

Listed By: Nikki Mariner
Highlights:

INSPIRATION
Mangoes are always special.
Fancy. Soft. Sweet. Round.
Celebratory and luxurious.

So this is what I infused in the figures, tones, and shapes.
It feels warm and sweet and happy.

I learned so much about mangoes doing this painting.
Eg.
🥭The paisley pattern on bandanas originates from mangoes.
🥭The leaves from a mango tree are believed to repel negative energy and attract prosperity and fertility in India where the mango is believed to originate.

ARTWORK
The starting point was the heads of the women, which followed an exact formation of mangoes hanging on a tree. Everything went from this point.

I used the colours of mangoes: orange, yellow, red, green, coral, purple. Tropical, sweet and glowy.

I used the curvy shapes of oval mangoes, long pointy leaves, and delicate long red stems laden with pale yellow tiny mango flowers.

Metallic colours of gold and copper added luxe and celebration.

This is the story of Mango Fandango.
(I used fandango in the sense of fun, party and dance).

 

T250.00
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Umu Feast by To’a Sāleilua

Listed By: Nikki Mariner
Highlights:

This print by To’a Sāleilua shows a steaming Samoan feast of pork, fish, breadfruit, taro and more, which are cooked using traditional methods.

T75.00
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Visiting the Seamstress | Alu I le Su’isu’i

Listed By: Nikki Mariner
Highlights:

Going to your seamstress for a new dress or puletasi, choosing your material, being measured all over your body, hearing feedback about your measurements, discussing the design, discussing the event… it’s a whole thing.
#ifykyk

That’s what this painting is about.

T200.00
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Fa’asamoa by William Mauola

Listed By: Nikki Mariner
Highlights:

This print by William Mauola includes ceremonial items of Samoan culture displayed in a tanoa against the background of tatau patterns.

It includes a nifo oti, ulafala, to’oto’o, fue and an aute/a red hibiscus.

T75.00
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The Pasefika Tote Bag
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