| Weight | .3 kg |
|---|---|
| Dimensions | 50 × 55 cm |
The Pasefika Tote Bag
T275.00
Price Summary
- T275.00
- T275.00
- T275.00
ONLY $99.95 USD. (Approx currency conversion). Discover our signature tote bag, meticulously made by hand in Samoa. Each one a unique piece of art with no two bags the same. This Supa Deluxe sized Tote bag features exclusive, hand-printed elei fabric showcasing bold cultural patterns inspired by our heritage. Crafted for durability from heavy cotton, reinforced handles, soft yet strong – it is washable and practical. This isn’t just a bag, it’s a wearable piece of art and a conversation starter. Take it to the office, to the beach, or on your next international flight, this is a bag that can go anywhere in style. Own a functional treasure that supports local artisans and lets you carry a piece of Samoa with you everywhere.
22 inches x 20 inches, not including the shoulder straps. 100% cotton.
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Vendor Information
- Store Name: Lani Young
- Vendor: Lani Young
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Scarlet Secrets: Book Two in the Scarlet Series
What you can’t say – owns you. What you hide – controls you. Scarlet knows the truth of these words all too well. As the stress of a family wedding builds, her resolve to be a #GoodDaughter wears thin and toxic truths begin to take their toll. Scarlet’s epic humor carries her through everything from (more!) forbidden croquembouche, to uku infestations and melon-like wardrobe malfunctions, and more of her family’s barbed idea of love. Sometimes you just have to laugh through life’s pain, or else you’ll cry your heart out. Right? Can Jackson be the strength that helps Scarlet break through the lies? Or will her secrets destroy them? Experience the tropical heat, humor and heartache that is Scarlet’s trip home to Samoa.
Only $10 USD.
Halu Bongo!
Bella and her dog Bongo are best friends. But Bongo loves to bark. At everyone and everything in the village. “Halu Bongo!” is heard everyday as passersby try to chase him away. With so many complaints about Bongo, it looks like Bella and her best friend might be parted. Until a robber comes to the village. Can Bongo’s barking save the day?
A delightful story about a young girl and her dog. A joy to read aloud with children, in both English and Gagana Samoa. Vivid, lush illustrations hand painted by renowned artist Nikki Mariner, bring the richness and beauty of a Samoan village to life. Created in Samoa, this is a story book your family will treasure.
Only $10 USD.
Keahi – Fire and Forgiveness (A Short Story)
What really happened to Keahi AFTER Teuila left him? If you enjoyed Fire’s Caress, then you will love this added insight into Keahi. Get to know our favourite Telesa World #badBoyBillionaire a little better with this short story.
Only $5 USD.
Best enjoyed if you have already read Fire’s Caress.
Scarlet Lies
Lies are beautiful – when the truth hurts. Sixteen years ago, Scarlet’s family sent her away in disgrace. She’s been back once – with disastrous consequences. Now, her little sister is getting married and Scarlet’s headed home once more. Will this be the reunion she’s always longed for? Or will the lies of her childhood entangle her once more in their beautiful embrace? More than ‘just a romance’, this poignant story about the tangled connections between mothers, daughters and sisters – speaks with compelling insight and humor, of inherited trauma, and of desire and deception.
Only $10 USD.
Halu Bongo! Print Book Version
Only $16.00 USD, approx currency conversion. Postage included.
A delightful story from Samoa, about a young girl and her dog. A joy to read aloud with your child, in both English and Gagana Samoa. Vivid, lush illustrations hand painted by renowned artist Nikki Mariner, bring the richness and beauty of a Samoan village to life. This is a storybook your family will treasure.
This paperback print book is shipped from our suppliers in both Australia and the USA, depending on where you live. The sale price includes standard postage to customers living in New Zealand, Australia and the USA.
Mata Lulu
A collection of fun, fearsome and fanciful stories from Samoa for children. Recommended for Ages 8 to 12 (and for the child in all of us!)
Only $10 USD.
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Seedless and Chilled
Watermelon was the inspiration behind the colour palette and title of this print.
The original painting was one of three in a series of artworks of five sisters and all were related to a different fruit.
Fun, bright and relaxed – the watermelon vibe.
Umu Feast by To’a Sāleilua
This print by To’a Sāleilua shows a steaming Samoan feast of pork, fish, breadfruit, taro and more, which are cooked using traditional methods.
Sisters of the Sun
This print is from a series of three large paintings by Nikki Mariner, titled, ‘No Woman is an Island’.
Visiting the Seamstress | Alu I le Su’isu’i
Going to your seamstress for a new dress or puletasi, choosing your material, being measured all over your body, hearing feedback about your measurements, discussing the design, discussing the event… it’s a whole thing.
#ifykyk
That’s what this painting is about.
Mango Fandango
INSPIRATION
Mangoes are always special.
Fancy. Soft. Sweet. Round.
Celebratory and luxurious.
So this is what I infused in the figures, tones, and shapes.
It feels warm and sweet and happy.
I learned so much about mangoes doing this painting.
Eg.
🥭The paisley pattern on bandanas originates from mangoes.
🥭The leaves from a mango tree are believed to repel negative energy and attract prosperity and fertility in India where the mango is believed to originate.
ARTWORK
The starting point was the heads of the women, which followed an exact formation of mangoes hanging on a tree. Everything went from this point.
I used the colours of mangoes: orange, yellow, red, green, coral, purple. Tropical, sweet and glowy.
I used the curvy shapes of oval mangoes, long pointy leaves, and delicate long red stems laden with pale yellow tiny mango flowers.
Metallic colours of gold and copper added luxe and celebration.
This is the story of Mango Fandango.
(I used fandango in the sense of fun, party and dance).
Fa’asamoa by William Mauola
This print by William Mauola includes ceremonial items of Samoan culture displayed in a tanoa against the background of tatau patterns.
It includes a nifo oti, ulafala, to’oto’o, fue and an aute/a red hibiscus.
Sons for the Return Home
Originally published in 1973, this story of star-crossed lovers spotlights the complex nature of love, freedom and racism in New Zealand. The first novel ever published by a Samoan author and a classic of Pacific Literature, readers worldwide continue to respond to the clarity of vision in this powerful story of cross-cultural encounter by Albert Wendt.
Only $10 USD (Approx currency conversion.)
Daughters of the Waters
This print is from a series of three large paintings by Nikki Mariner, titled, ‘No Woman is an Island’.
The Cleaner
The first painting of every year is significant.
It sets the tone, mood, style, and benchmark for the year.
The Cleaner was my first for 2024.
It’s a figurative painting of a woman with a broom.
She wears only a lavalava and a sei.
Inspirations.
1. I fell in love with a sculpture by Italian artist Ernesto Coter while eating in his kitchen at Santa Maria Rezzonico a few weeks earlier. The sculpture was sitting on the sideboard beside his dining table. He said it is a Samoan woman dancing. This painting is a response to the sculpture (Pic 5)
2. A new year inspires a fresh look at life, reassessment, and decluttering. It’s not the first time my first painting for a new year has included a broom. It’s about spring cleaning your life as a new year begins.
3. Spending time with my family gave me a fresh respect for two of my sisters who each successfully run their own cleaning businesses in Queensland. It’s more interesting and complex work than I expected, and what they do for their clients is admirable.
I wanted to honour cleaners so I painted gold behind her head to show she is iconic.
And she had a gold broom.
4. Samoans sweep everything regularly – the beach, the grass the house, and everything.
5. A woman with a broom is a timeless and common sight in the background of every culture and every age. I want to uplift and highlight this symbol.
As a goddess. With an iconic halo.
We have often been this person and often see this person. And they’re important and essential.
They get rid of crap and they make the world more beautiful.
Goddesses.
6. I painted a blue ocean type background because I was seeing a lot from the 2023 United Nations Climate Change Conference in Dubai, while painting. Many people I know were there representing island nations of the Pacific Ocean.
Lady Fingers | Misiluki
- I was staring at banana trees when I started painting this and deciding on a colour palette.
Yellows, greens and browns. Not colours I usually use but you can’t argue with nature’s beauty.
Then the title just seemed so obvious and perfect.
Misiluki is Samoan for Lady Finger bananas.
Lady Fingers. Five digits on a hand and five is the number of sisters I paint over and over again.
This bunch of five sisters are all grown up.
To’onai by Pele Loi
This print by Pele Loi depicts a traditional Sunday lunch including much loved Samoan food laid out on a plate of leaves against a background of tatau patterns.
Cry Me A Moana
My sisters and I live different lives than we used to.
I watch their online stories traveling Europe and dancing at music festivals.
We discuss pending court cases and struggles of self-employment.
The days of desperately seeking babysitters, carpooling for school events, and borrowing from each other to pay the rent are gone.
We are less compliant and more calm.
We are more heartbroken and less cooperative.
We are smarter and deeper.
That’s what this painting is about.
Letting go. Floating.
I’ve always loved Ella Fitzgerald singing Cry Me A River.
The lyrics say it all. Cry me a river, I cried a river over you.
But the version that goes with this painting is Cry Me A River by Julie London, Live at the Americana Hotel, New York 1964. It’s breathtakingly beautiful.
So this painting is titled Cry Me A Moana and captures a similar sentiment as the song.
(Moana is a word that means ocean in several Pacific Island languages.)
Five brown-skinned full-bodied women floating in water.
They are reaching and twisting.
Their respectable white dresses become translucent, and the flower leis of honour are drifting away, and the women don’t care.
They float above fish skeletons and remnants of the past.
I hope it resonates. I want to make art that people feel, not only look at.




















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