Telesa World Triple Book Set, Print Books

Going to your seamstress for a new dress or puletasi, choosing your material, being measured all over your body, hearing feedback about your measurements, discussing the design, discussing the event… it’s a whole thing.
#ifykyk

That’s what this painting is about.

Craving nature, feeling anti-technology, craving authenticity, resenting clocks and calendars and dresscodes, imagining living off the land, channeling ancestors, craving trees and fruit, and fresh air.

The original painting was exhibited and sold at the Regenerating Oceania Exhibition at the 13th Festival of Pacific Arts and Culture in Honolulu 6-16 June 2024.

This print is a deep statement about motherhood and the crucial role mothers have in sustaining society in Oceania.

INSPIRATION
Mangoes are always special.
Fancy. Soft. Sweet. Round.
Celebratory and luxurious.

So this is what I infused in the figures, tones, and shapes.
It feels warm and sweet and happy.

I learned so much about mangoes doing this painting.
Eg.
🥭The paisley pattern on bandanas originates from mangoes.
🥭The leaves from a mango tree are believed to repel negative energy and attract prosperity and fertility in India where the mango is believed to originate.

ARTWORK
The starting point was the heads of the women, which followed an exact formation of mangoes hanging on a tree. Everything went from this point.

I used the colours of mangoes: orange, yellow, red, green, coral, purple. Tropical, sweet and glowy.

I used the curvy shapes of oval mangoes, long pointy leaves, and delicate long red stems laden with pale yellow tiny mango flowers.

Metallic colours of gold and copper added luxe and celebration.

This is the story of Mango Fandango.
(I used fandango in the sense of fun, party and dance).