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T149.85
Buy all three books in the TELESA WORLD SERIES for only $55.00 USD (approximate currency conversion). Paperback print books, postage is included in the price.
1.Earth’s Embrace
2. Ocean’s Kiss
3. Fire’s Caress
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What you can’t say – owns you. What you hide – controls you. Scarlet knows the truth of these words all too well. As the stress of a family wedding builds, her resolve to be a #GoodDaughter wears thin and toxic truths begin to take their toll. Scarlet’s epic humor carries her through everything from (more!) forbidden croquembouche, to uku infestations and melon-like wardrobe malfunctions, and more of her family’s barbed idea of love. Sometimes you just have to laugh through life’s pain, or else you’ll cry your heart out. Right? Can Jackson be the strength that helps Scarlet break through the lies? Or will her secrets destroy them? Experience the tropical heat, humor and heartache that is Scarlet’s trip home to Samoa.
Only $10 USD.
An island of secrets. A girl on fire. An epic battle of the elements. The book that started it all…
Only $10 USD (approx currency conversion)
Only $18 USD (approx currency conversion). Includes postage. This print book cannot be supplied to customers in NZ or Australia.
The thrilling, breathlessly anticipated conclusion to The Telesa Series. Leila’s selfless act at the closing of ‘When Water Burns,’ unleashed the demonic fury of Pele the Fire Goddess and now Daniel must fight an epic battle to free the one he loves. Unlikely allies come to his aid as a group of troubled elementals try to overcome their differences and work as a team to save their friend. But Pele’s awakening has caused cataclysmic fear throughout the Telesa guardians of the Pacific and they are gathering their forces, preparing to defend the Blue Continent from the devastating threat of the Fire Goddess. Only one thing can destroy her – the Tangaloa Bone. The race is on to recover the three pieces of this ancient weapon and the question remains: who will wield the power of the Bone Bearer? And can Leila survive its apocalyptic fury? Will the covenant of love between Daniel and Leila endure this final battle?
Every woman has her breaking point. Has Scarlet reached hers? In this beautifully crafted tale of redemption and renewal, Scarlet must choose between staying in the shadows of weighty family secrets, or stepping out into the light, and thus risking it all. Can she do it? And will Jackson be a part of that journey? The thrilling conclusion to the heat, humour and heartache of the Scarlet Lies Series.
Only $10 USD.
Only $18 USD (approx currency conversion). Includes postage. This print book cannot be supplied to customers in NZ or Australia.
An island of secrets. A girl on fire. An epic battle of the elements. The book that started it all…
Leila Folger escapes the stifling misery of life with her American grandmother and goes to Samoa searching to connect with her mother’s family. All her efforts to learn more about the mother she never knew are met with hostility. What really happened eighteen years ago when her father fled the island with his infant daughter? Why is everyone afraid to even talk about the woman he once loved? What is a ‘telesā’ and why does even the mention of her name strike such fear in everyone Leila meets? And why is Leila having vivid nightmares about a mother she can’t remember? Her quest for truth takes a thrilling turn when she meets Daniel Tahi, irresistibly compelling with his island-warrior tattoos, breath-taking jade eyes and golden smile. What is it in Daniel’s mysterious past that binds him and Leila so closely? When Leila discovers she is heir to a fiery birthright, she must choose between the Sisterhood and the boy she loves. Can they overcome all that divides them, even the very elements?
Originally published in 1973, this story of star-crossed lovers spotlights the complex nature of love, freedom and racism in New Zealand. The first novel ever published by a Samoan author and a classic of Pacific Literature, readers worldwide continue to respond to the clarity of vision in this powerful story of cross-cultural encounter by Albert Wendt.
Only $10 USD (Approx currency conversion.)
Craving nature, feeling anti-technology, craving authenticity, resenting clocks and calendars and dresscodes, imagining living off the land, channeling ancestors, craving trees and fruit, and fresh air.
Yellows, greens and browns. Not colours I usually use but you can’t argue with nature’s beauty.
Then the title just seemed so obvious and perfect.
Misiluki is Samoan for Lady Finger bananas.
Lady Fingers. Five digits on a hand and five is the number of sisters I paint over and over again.
This bunch of five sisters are all grown up.
Playing with poem structure, paint, and Samoan markings.
Small paintings inspired by the 7 metre by 2 metre works (pic 6) I created for the VIP Terminal Lounge at Faleolo International Airport.
A tanka poem is derived from Japanese poetry arranged in five lines with a 5-7-5-7-7 syllable count.
INSPIRATION
Mangoes are always special.
Fancy. Soft. Sweet. Round.
Celebratory and luxurious.
So this is what I infused in the figures, tones, and shapes.
It feels warm and sweet and happy.
I learned so much about mangoes doing this painting.
Eg.
🥭The paisley pattern on bandanas originates from mangoes.
🥭The leaves from a mango tree are believed to repel negative energy and attract prosperity and fertility in India where the mango is believed to originate.
ARTWORK
The starting point was the heads of the women, which followed an exact formation of mangoes hanging on a tree. Everything went from this point.
I used the colours of mangoes: orange, yellow, red, green, coral, purple. Tropical, sweet and glowy.
I used the curvy shapes of oval mangoes, long pointy leaves, and delicate long red stems laden with pale yellow tiny mango flowers.
Metallic colours of gold and copper added luxe and celebration.
This is the story of Mango Fandango.
(I used fandango in the sense of fun, party and dance).
This print by Pele Loi features a bird feeding in the natural Samoan environment against a bright blue background of Samoan tatau patterns.
Buy all three books in the SCARLET SERIES for only $55.00 USD (approximate currency conversion). Paper print books, postage included in the price. Your payment comes direct to Samoa to the writer, books are posted to you from distributors in either USA or Australia to keep shipping costs down and for faster delivery.
This print by William Mauola includes ceremonial items of Samoan culture displayed in a tanoa against the background of tatau patterns.
It includes a nifo oti, ulafala, to’oto’o, fue and an aute/a red hibiscus.
The first painting of every year is significant.
It sets the tone, mood, style, and benchmark for the year.
The Cleaner was my first for 2024.
It’s a figurative painting of a woman with a broom.
She wears only a lavalava and a sei.
Inspirations.
1. I fell in love with a sculpture by Italian artist Ernesto Coter while eating in his kitchen at Santa Maria Rezzonico a few weeks earlier. The sculpture was sitting on the sideboard beside his dining table. He said it is a Samoan woman dancing. This painting is a response to the sculpture (Pic 5)
2. A new year inspires a fresh look at life, reassessment, and decluttering. It’s not the first time my first painting for a new year has included a broom. It’s about spring cleaning your life as a new year begins.
3. Spending time with my family gave me a fresh respect for two of my sisters who each successfully run their own cleaning businesses in Queensland. It’s more interesting and complex work than I expected, and what they do for their clients is admirable.
I wanted to honour cleaners so I painted gold behind her head to show she is iconic.
And she had a gold broom.
4. Samoans sweep everything regularly – the beach, the grass the house, and everything.
5. A woman with a broom is a timeless and common sight in the background of every culture and every age. I want to uplift and highlight this symbol.
As a goddess. With an iconic halo.
We have often been this person and often see this person. And they’re important and essential.
They get rid of crap and they make the world more beautiful.
Goddesses.
6. I painted a blue ocean type background because I was seeing a lot from the 2023 United Nations Climate Change Conference in Dubai, while painting. Many people I know were there representing island nations of the Pacific Ocean.
The original painting was exhibited and sold at the Regenerating Oceania Exhibition at the 13th Festival of Pacific Arts and Culture in Honolulu 6-16 June 2024.
This print is a deep statement about motherhood and the crucial role mothers have in sustaining society in Oceania.
Popouli is a painting that uses the life stages of a coconut to represent the optimal timing for regrowth and regeneration.
Internal chaos or forced deconstruction of identity? You decide.
Only $10 USD (approx currency conversion)
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