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T149.85
Buy all three books in the TELESA WORLD SERIES for only $55.00 USD (approximate currency conversion). Paperback print books, postage is included in the price.
1.Earth’s Embrace
2. Ocean’s Kiss
3. Fire’s Caress
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Only $18 USD (approx currency conversion). Includes postage.
Lies are beautiful – when the truth hurts. Sixteen years ago, Scarlet’s family sent her away in disgrace. She’s been back once – with disastrous consequences. Now, her little sister is getting married and Scarlet’s headed home once more. Will this be the reunion she’s always longed for? Or will the lies of her childhood entangle her once more in their beautiful embrace? More than ‘just a romance’, this poignant story about the tangled connections between mothers, daughters and sisters – speaks with compelling insight and humor, of inherited trauma, and of desire and deception.
Own the paperback copy for your home library.
Only $10.85 USD. Postage included. (Approx currency conversion.) Working towards better health, nutrition or fitness goals? Then this 3-month paperback planner is all you need for an easy and inspiring start! Keep track of your meals, sleep, water intake, mood, thoughts and activity – all on one page for every day. There’s space for setting goals, reviewing progress and planning workouts. It’s beautifully organised for easy use.
Features of our Fitness & Food Journal:
– Dedicated space for recording and tracking measurements.
– Space at the start to set specific goals & define your Why?
– Log to write down breakfast, lunch, dinner & snacks for each day
– Daily exercise & activity tracker
– Keep track of your sleep, water intake & mood every day
– Space for thoughts & notes daily
This product is only available to customers living in Australia, New Zealand and the USD. Please allow 10 working days for postage.
Only $18 USD (approx currency conversion). Includes postage. This print book cannot be supplied to customers in NZ or Australia.
An island of secrets. A girl on fire. An epic battle of the elements. The book that started it all…
Leila Folger escapes the stifling misery of life with her American grandmother and goes to Samoa searching to connect with her mother’s family. All her efforts to learn more about the mother she never knew are met with hostility. What really happened eighteen years ago when her father fled the island with his infant daughter? Why is everyone afraid to even talk about the woman he once loved? What is a ‘telesā’ and why does even the mention of her name strike such fear in everyone Leila meets? And why is Leila having vivid nightmares about a mother she can’t remember? Her quest for truth takes a thrilling turn when she meets Daniel Tahi, irresistibly compelling with his island-warrior tattoos, breath-taking jade eyes and golden smile. What is it in Daniel’s mysterious past that binds him and Leila so closely? When Leila discovers she is heir to a fiery birthright, she must choose between the Sisterhood and the boy she loves. Can they overcome all that divides them, even the very elements?
2019 Winner of a NZ Storylines Notable Book Award.
2019 Finalist in the NZ Book Awards, Young Adult Fiction.
A collection of short stories from Samoa, by Lani Wendt Young. “The joys, the trials, the tragedies, and the sensibilities of being a woman of Samoa are highlighted in this superb collection. Each story is brimming with emotion, offering a unique, engrossing glimpse into the lives of women of the Pacific, as Young takes readers from tears of laughter to tears of sorrow from one story to the next.”
Only $10 USD.
The second book in the international bestselling series, Telesa. As a malicious Telesa plots her revenge, a mysterious stranger arrives on the island. Fuelled by hate and running from a fiery past, he looks to Leila for answers and she must fight to contain the fury of fanua-afi while trying to protect all those she loves. It seems that this is a battle she must wage alone, for Daniel’s ocean birthright cannot be denied and he refuses to walk beside her. Are Leila and Daniel destined to be forever divided by the elements? When it comes to Water and Fire, daughter of earth and son of the ocean – who will endure when water burns?
Only $10 USD (approx currency conversion)
Musing on the paradox of permanence. What lasts? Bone? Or a butterfly’s brief beauty?
“Butterfly and Bone”
Only $10 USD (approx currency conversion).
Going to your seamstress for a new dress or puletasi, choosing your material, being measured all over your body, hearing feedback about your measurements, discussing the design, discussing the event… it’s a whole thing.
#ifykyk
That’s what this painting is about.
This print features traditional Samoan patterns and symbols found in our siapo (tapa cloth) and tatau (tattoos).
This print by Tito Pritchard uses a cubism style to play with a tanoa and ula fala.
This print is from a series of three large paintings by Nikki Mariner, titled, ‘No Woman is an Island’.
Yellows, greens and browns. Not colours I usually use but you can’t argue with nature’s beauty.
Then the title just seemed so obvious and perfect.
Misiluki is Samoan for Lady Finger bananas.
Lady Fingers. Five digits on a hand and five is the number of sisters I paint over and over again.
This bunch of five sisters are all grown up.
Pele paints a contemporary visualisation of icons of Samoan culture. The tanoa becomes a crown, a tuiga made of tatau symbols, flowing ribbons of elei, and flowers adorn a skull.
A Telesā World novel which continues the stories of key characters from the Telesā Series. It can be read as a standalone book.
Winner of the 2022 Sir Julius Vogel Award for Best Youth Novel.
Finalist, 2022 New Zealand Book Awards, Young Adult Fiction.
Playing with poem structure, paint, and Samoan markings.
Small paintings inspired by the 7 metre by 2 metre works (pic 6) I created for the VIP Terminal Lounge at Faleolo International Airport.
A tanka poem is derived from Japanese poetry arranged in five lines with a 5-7-5-7-7 syllable count.
My sisters and I live different lives than we used to.
I watch their online stories traveling Europe and dancing at music festivals.
We discuss pending court cases and struggles of self-employment.
The days of desperately seeking babysitters, carpooling for school events, and borrowing from each other to pay the rent are gone.
We are less compliant and more calm.
We are more heartbroken and less cooperative.
We are smarter and deeper.
That’s what this painting is about.
Letting go. Floating.
I’ve always loved Ella Fitzgerald singing Cry Me A River.
The lyrics say it all. Cry me a river, I cried a river over you.
But the version that goes with this painting is Cry Me A River by Julie London, Live at the Americana Hotel, New York 1964. It’s breathtakingly beautiful.
So this painting is titled Cry Me A Moana and captures a similar sentiment as the song.
(Moana is a word that means ocean in several Pacific Island languages.)
Five brown-skinned full-bodied women floating in water.
They are reaching and twisting.
Their respectable white dresses become translucent, and the flower leis of honour are drifting away, and the women don’t care.
They float above fish skeletons and remnants of the past.
I hope it resonates. I want to make art that people feel, not only look at.
Playing with poem structure, paint, and Samoan markings.
Small paintings inspired by the 7 metre by 2 metre works (pic 6) I created for the VIP Terminal Lounge at Faleolo International Airport.
The cinquain poem was invented by an American poet, and she drew inspiration from Japanese forms such as haiku and tanka, which are arranged in five lines. The cinquain has a syllable count of 2- 4 – 6 – 8 – 2.
This print features a favourite food in Samoa: Corned Beef or Pisupo.
Like artists for centuries, I teach myself about painting by doing my own versions of the great masters and modern icons.
Personally, I’ve never been attracted to the artwork by American artist Andy Warhol (1928-1987), but corned beef cans gave me the perfect opportunity to explore his work. Step into the experience of studying the minutiae of mundane objects and products.
It was interesting and it gave me a new appreciation.
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