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T149.85
Buy all three books in the TELESA WORLD SERIES for only $55.00 USD (approximate currency conversion). Paperback print books, postage is included in the price.
1.Earth’s Embrace
2. Ocean’s Kiss
3. Fire’s Caress
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Get to know Daniel Tahi in a whole new way as he tells HIS side of the Telesa story. This novella is a collection of first person narratives from Daniel. It is a companion book to the Telesa Series and must be read after and in conjunction with: Telesa-The Covenant Keeper, and Telesa – When Water Burns.
Only $15 USD (approx currency conversion). Includes postage. This print book cannot be supplied to customers in NZ or Australia.
Get to know Daniel Tahi in a whole new way as he tells HIS side of the Telesa story. This novella is a collection of first person narratives from Daniel. It is a companion book to the Telesa Series and must be read after and in conjunction with: Telesa-The Covenant Keeper, and Telesa – When Water Burns.
Only $18 USD (approx currency conversion). Includes postage. This print book cannot be supplied to customers in NZ or Australia.
The thrilling, breathlessly anticipated conclusion to The Telesa Series. Leila’s selfless act at the closing of ‘When Water Burns,’ unleashed the demonic fury of Pele the Fire Goddess and now Daniel must fight an epic battle to free the one he loves. Unlikely allies come to his aid as a group of troubled elementals try to overcome their differences and work as a team to save their friend. But Pele’s awakening has caused cataclysmic fear throughout the Telesa guardians of the Pacific and they are gathering their forces, preparing to defend the Blue Continent from the devastating threat of the Fire Goddess. Only one thing can destroy her – the Tangaloa Bone. The race is on to recover the three pieces of this ancient weapon and the question remains: who will wield the power of the Bone Bearer? And can Leila survive its apocalyptic fury? Will the covenant of love between Daniel and Leila endure this final battle?
Numbers are Tamarina’s language. And there’s no room in her equations for love. Or is there? A sweet sultry love story about a math genius and a mechanic. Return to Scarlet’s world, only this time read her sister Tamarina’s story.
Only $10 USD. (Approx currency exchange)
Only $18 USD (approx currency conversion). Includes postage.
Every woman has her breaking point. Has Scarlet reached hers? In this beautifully crafted tale of redemption and renewal, Scarlet must choose between staying in the shadows of weighty family secrets, or stepping out into the light, and thus risking it all. Can she do it? And will Jackson be a part of that journey? The thrilling conclusion to the heat, humour and heartache of the Scarlet Lies Series.
Only $18 USD (approx currency conversion). Includes postage. This print book cannot be supplied to customers in NZ or Australia.
An island of secrets. A girl on fire. An epic battle of the elements. The book that started it all…
Leila Folger escapes the stifling misery of life with her American grandmother and goes to Samoa searching to connect with her mother’s family. All her efforts to learn more about the mother she never knew are met with hostility. What really happened eighteen years ago when her father fled the island with his infant daughter? Why is everyone afraid to even talk about the woman he once loved? What is a ‘telesā’ and why does even the mention of her name strike such fear in everyone Leila meets? And why is Leila having vivid nightmares about a mother she can’t remember? Her quest for truth takes a thrilling turn when she meets Daniel Tahi, irresistibly compelling with his island-warrior tattoos, breath-taking jade eyes and golden smile. What is it in Daniel’s mysterious past that binds him and Leila so closely? When Leila discovers she is heir to a fiery birthright, she must choose between the Sisterhood and the boy she loves. Can they overcome all that divides them, even the very elements?
Watermelon was the inspiration behind the colour palette and title of this print.
The original painting was one of three in a series of artworks of five sisters and all were related to a different fruit.
Fun, bright and relaxed – the watermelon vibe.
My sisters and I live different lives than we used to.
I watch their online stories traveling Europe and dancing at music festivals.
We discuss pending court cases and struggles of self-employment.
The days of desperately seeking babysitters, carpooling for school events, and borrowing from each other to pay the rent are gone.
We are less compliant and more calm.
We are more heartbroken and less cooperative.
We are smarter and deeper.
That’s what this painting is about.
Letting go. Floating.
I’ve always loved Ella Fitzgerald singing Cry Me A River.
The lyrics say it all. Cry me a river, I cried a river over you.
But the version that goes with this painting is Cry Me A River by Julie London, Live at the Americana Hotel, New York 1964. It’s breathtakingly beautiful.
So this painting is titled Cry Me A Moana and captures a similar sentiment as the song.
(Moana is a word that means ocean in several Pacific Island languages.)
Five brown-skinned full-bodied women floating in water.
They are reaching and twisting.
Their respectable white dresses become translucent, and the flower leis of honour are drifting away, and the women don’t care.
They float above fish skeletons and remnants of the past.
I hope it resonates. I want to make art that people feel, not only look at.
This print features a favourite food in Samoa: Corned Beef or Pisupo.
Like artists for centuries, I teach myself about painting by doing my own versions of the great masters and modern icons.
Personally, I’ve never been attracted to the artwork by American artist Andy Warhol (1928-1987), but corned beef cans gave me the perfect opportunity to explore his work. Step into the experience of studying the minutiae of mundane objects and products.
It was interesting and it gave me a new appreciation.
This print is from a series of three large paintings by Nikki Mariner, titled, ‘No Woman is an Island’.
This print by To’a Sāleilua shows a steaming Samoan feast of pork, fish, breadfruit, taro and more, which are cooked using traditional methods.
A Telesā World novel which continues the stories of key characters from the Telesā Series. It can be read as a standalone book.
Winner of the 2022 Sir Julius Vogel Award for Best Youth Novel.
Finalist, 2022 New Zealand Book Awards, Young Adult Fiction.
Musing on the paradox of permanence. What lasts? Bone? Or a butterfly’s brief beauty?
“Butterfly and Bone”
Only $10 USD (approx currency conversion).
The first painting of every year is significant.
It sets the tone, mood, style, and benchmark for the year.
The Cleaner was my first for 2024.
It’s a figurative painting of a woman with a broom.
She wears only a lavalava and a sei.
Inspirations.
1. I fell in love with a sculpture by Italian artist Ernesto Coter while eating in his kitchen at Santa Maria Rezzonico a few weeks earlier. The sculpture was sitting on the sideboard beside his dining table. He said it is a Samoan woman dancing. This painting is a response to the sculpture (Pic 5)
2. A new year inspires a fresh look at life, reassessment, and decluttering. It’s not the first time my first painting for a new year has included a broom. It’s about spring cleaning your life as a new year begins.
3. Spending time with my family gave me a fresh respect for two of my sisters who each successfully run their own cleaning businesses in Queensland. It’s more interesting and complex work than I expected, and what they do for their clients is admirable.
I wanted to honour cleaners so I painted gold behind her head to show she is iconic.
And she had a gold broom.
4. Samoans sweep everything regularly – the beach, the grass the house, and everything.
5. A woman with a broom is a timeless and common sight in the background of every culture and every age. I want to uplift and highlight this symbol.
As a goddess. With an iconic halo.
We have often been this person and often see this person. And they’re important and essential.
They get rid of crap and they make the world more beautiful.
Goddesses.
6. I painted a blue ocean type background because I was seeing a lot from the 2023 United Nations Climate Change Conference in Dubai, while painting. Many people I know were there representing island nations of the Pacific Ocean.
Craving nature, feeling anti-technology, craving authenticity, resenting clocks and calendars and dresscodes, imagining living off the land, channeling ancestors, craving trees and fruit, and fresh air.
Pele paints a contemporary visualisation of icons of Samoan culture. The tanoa becomes a crown, a tuiga made of tatau symbols, flowing ribbons of elei, and flowers adorn a skull.
This print is from a series of three large paintings by Nikki Mariner, titled, ‘No Woman is an Island’.
This print by Tito Pritchard uses a cubism style to play with a tanoa and ula fala.
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