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T149.85
Buy all three books in the SCARLET SERIES for only $55.00 USD (approximate currency conversion). Paper print books, postage included in the price. Your payment comes direct to Samoa to the writer, books are posted to you from distributors in either USA or Australia to keep shipping costs down and for faster delivery.
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Buy all three books in the TELESA WORLD SERIES for only $55.00 USD (approximate currency conversion). Paperback print books, postage is included in the price.
1.Earth’s Embrace
2. Ocean’s Kiss
3. Fire’s Caress
Buy all three books in the TELESA SERIES for only $55.00 USD (approximate currency conversion). Paperback print books, postage included in the price.
1. Telesa – The Covenant Keeper
2. Telesa – When Water Burns
3. Telesa – The Bone Bearer.
Bring your favorite Samoan dog Bongo to life with FOURTEEN printable coloring pages from the original HALU BONGO storybook for kids. Simply download, then print on your home printer with settings on \’Fill page\’, grab some bright crayons, and your child has everything they need for a fun activity. Pair with the the ebook of HALU BONGO, read the story out loud together in Samoan and English, and help reinforce your child\’s confident learning of Gagana Samoa. These bold coloring pages are all familiar scenes straight from home here in Beautiful Samoa. Only $3.50 USD (approx currency conversion).
Original paintings by Nikki Mariner. Adapted for coloring pages format by Bella Young.
2019 Winner of a NZ Storylines Notable Book Award.
2019 Finalist in the NZ Book Awards, Young Adult Fiction.
A collection of short stories from Samoa, by Lani Wendt Young. “The joys, the trials, the tragedies, and the sensibilities of being a woman of Samoa are highlighted in this superb collection. Each story is brimming with emotion, offering a unique, engrossing glimpse into the lives of women of the Pacific, as Young takes readers from tears of laughter to tears of sorrow from one story to the next.”
Only $10 USD.
When danger threatens the island of Niua, an ancient weapon is unleashed and Daniel Tahi must decide if he will embrace his Tongan heritage and stand alongside the Vasa Loloa sisterhood of his mother’s people. A standalone novel from the Telesā World. Inspired by mythology of Oceania, the richness of Samoan culture and the very real threats to the Pacific caused by climate change.
$10 USD (Approx currency conversion)
Only $10.85 USD (approx currency conversion). Postage included.
“The offspring of birds are fed with flower nectar but the children of men are nurtured with words.” A beautiful gift for any parent. A lined notebook for recording your thoughts and messages to a child, pages adorned with over fifty Samoan proverbs and sayings with their English translation. Stunning cover art by Samoan artist Nikki Mariner.
Features:
This journal can only be supplied to customers living in New Zealand, Australia and the USA.
This print is from a series of three large paintings by Nikki Mariner, titled, ‘No Woman is an Island’.
This print by To’a Sāleilua shows a steaming Samoan feast of pork, fish, breadfruit, taro and more, which are cooked using traditional methods.
This print by William Mauola includes ceremonial items of Samoan culture displayed in a tanoa against the background of tatau patterns.
It includes a nifo oti, ulafala, to’oto’o, fue and an aute/a red hibiscus.
INSPIRATION
Mangoes are always special.
Fancy. Soft. Sweet. Round.
Celebratory and luxurious.
So this is what I infused in the figures, tones, and shapes.
It feels warm and sweet and happy.
I learned so much about mangoes doing this painting.
Eg.
🥭The paisley pattern on bandanas originates from mangoes.
🥭The leaves from a mango tree are believed to repel negative energy and attract prosperity and fertility in India where the mango is believed to originate.
ARTWORK
The starting point was the heads of the women, which followed an exact formation of mangoes hanging on a tree. Everything went from this point.
I used the colours of mangoes: orange, yellow, red, green, coral, purple. Tropical, sweet and glowy.
I used the curvy shapes of oval mangoes, long pointy leaves, and delicate long red stems laden with pale yellow tiny mango flowers.
Metallic colours of gold and copper added luxe and celebration.
This is the story of Mango Fandango.
(I used fandango in the sense of fun, party and dance).
Originally published in 1973, this story of star-crossed lovers spotlights the complex nature of love, freedom and racism in New Zealand. The first novel ever published by a Samoan author and a classic of Pacific Literature, readers worldwide continue to respond to the clarity of vision in this powerful story of cross-cultural encounter by Albert Wendt.
Only $10 USD (Approx currency conversion.)
Special Launch Discount price of Only $7.50 USD! (approximate currency conversion.) Debut short story collection from Samoa’s newest literary voice Nicki Perese – poet, educator and proud fa’afafine author. Twenty-six stories that draw from everyday life in Samoa. Moments of humour, hardship, cultural responsibility, faith, love, identity and the unseen emotional currents that shape who we become. These stories are suitable for students in secondary school and above. Teachers will find them a valuable resource in the classroom and readers of all ages will delight in the rich insight into the unique spirit of Samoa’s youth.
Internal chaos or forced deconstruction of identity? You decide.
Only $10 USD (approx currency conversion)
The first painting of every year is significant.
It sets the tone, mood, style, and benchmark for the year.
The Cleaner was my first for 2024.
It’s a figurative painting of a woman with a broom.
She wears only a lavalava and a sei.
Inspirations.
1. I fell in love with a sculpture by Italian artist Ernesto Coter while eating in his kitchen at Santa Maria Rezzonico a few weeks earlier. The sculpture was sitting on the sideboard beside his dining table. He said it is a Samoan woman dancing. This painting is a response to the sculpture (Pic 5)
2. A new year inspires a fresh look at life, reassessment, and decluttering. It’s not the first time my first painting for a new year has included a broom. It’s about spring cleaning your life as a new year begins.
3. Spending time with my family gave me a fresh respect for two of my sisters who each successfully run their own cleaning businesses in Queensland. It’s more interesting and complex work than I expected, and what they do for their clients is admirable.
I wanted to honour cleaners so I painted gold behind her head to show she is iconic.
And she had a gold broom.
4. Samoans sweep everything regularly – the beach, the grass the house, and everything.
5. A woman with a broom is a timeless and common sight in the background of every culture and every age. I want to uplift and highlight this symbol.
As a goddess. With an iconic halo.
We have often been this person and often see this person. And they’re important and essential.
They get rid of crap and they make the world more beautiful.
Goddesses.
6. I painted a blue ocean type background because I was seeing a lot from the 2023 United Nations Climate Change Conference in Dubai, while painting. Many people I know were there representing island nations of the Pacific Ocean.
Popouli is a painting that uses the life stages of a coconut to represent the optimal timing for regrowth and regeneration.
This print is from a series of three large paintings by Nikki Mariner, titled, ‘No Woman is an Island’.
Yellows, greens and browns. Not colours I usually use but you can’t argue with nature’s beauty.
Then the title just seemed so obvious and perfect.
Misiluki is Samoan for Lady Finger bananas.
Lady Fingers. Five digits on a hand and five is the number of sisters I paint over and over again.
This bunch of five sisters are all grown up.
My sisters and I live different lives than we used to.
I watch their online stories traveling Europe and dancing at music festivals.
We discuss pending court cases and struggles of self-employment.
The days of desperately seeking babysitters, carpooling for school events, and borrowing from each other to pay the rent are gone.
We are less compliant and more calm.
We are more heartbroken and less cooperative.
We are smarter and deeper.
That’s what this painting is about.
Letting go. Floating.
I’ve always loved Ella Fitzgerald singing Cry Me A River.
The lyrics say it all. Cry me a river, I cried a river over you.
But the version that goes with this painting is Cry Me A River by Julie London, Live at the Americana Hotel, New York 1964. It’s breathtakingly beautiful.
So this painting is titled Cry Me A Moana and captures a similar sentiment as the song.
(Moana is a word that means ocean in several Pacific Island languages.)
Five brown-skinned full-bodied women floating in water.
They are reaching and twisting.
Their respectable white dresses become translucent, and the flower leis of honour are drifting away, and the women don’t care.
They float above fish skeletons and remnants of the past.
I hope it resonates. I want to make art that people feel, not only look at.
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