Bella and her dog Bongo are best friends. But Bongo loves to bark. At everyone and everything in the village. “Halu Bongo!” is heard everyday as passersby try to chase him away. With so many complaints about Bongo, it looks like Bella and her best friend might be parted. Until one night, a robber comes to the village. Can Bongo save the day?!
Halu Bongo! Print Book Version
T45.00
Price Summary
- T45.00
- T45.00
- T45.00
Only $16.00 USD, approx currency conversion. Postage included.
A delightful story from Samoa, about a young girl and her dog. A joy to read aloud with your child, in both English and Gagana Samoa. Vivid, lush illustrations hand painted by renowned artist Nikki Mariner, bring the richness and beauty of a Samoan village to life. This is a storybook your family will treasure.
This paperback print book is shipped from our suppliers in both Australia and the USA, depending on where you live. The sale price includes standard postage to customers living in New Zealand, Australia and the USA.
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Afakasi Woman
2019 Winner of a NZ Storylines Notable Book Award.
2019 Finalist in the NZ Book Awards, Young Adult Fiction.
A collection of short stories from Samoa, by Lani Wendt Young. “The joys, the trials, the tragedies, and the sensibilities of being a woman of Samoa are highlighted in this superb collection. Each story is brimming with emotion, offering a unique, engrossing glimpse into the lives of women of the Pacific, as Young takes readers from tears of laughter to tears of sorrow from one story to the next.”
Only $10 USD.
Scarlet Lies – Print Book, Paperback.
Only $18 USD (approx currency conversion). Includes postage.
Lies are beautiful – when the truth hurts. Sixteen years ago, Scarlet’s family sent her away in disgrace. She’s been back once – with disastrous consequences. Now, her little sister is getting married and Scarlet’s headed home once more. Will this be the reunion she’s always longed for? Or will the lies of her childhood entangle her once more in their beautiful embrace? More than ‘just a romance’, this poignant story about the tangled connections between mothers, daughters and sisters – speaks with compelling insight and humor, of inherited trauma, and of desire and deception.
Own the paperback copy for your home library.
I am Daniel Tahi
Get to know Daniel Tahi in a whole new way as he tells HIS side of the Telesa story. This novella is a collection of first person narratives from Daniel. It is a companion book to the Telesa Series and must be read after and in conjunction with: Telesa-The Covenant Keeper, and Telesa – When Water Burns.
Love by Numbers. Print book, Paperback.
Only $18 USD (approx currency conversion). Includes postage.
Numbers are Tamarina’s language. And there’s no room in her equations for love. Or is there? A sweet sultry love story about a math genius and a mechanic. Return to Scarlet’s world, only this time read her sister Tamarina’s story.
Keahi – Fire and Forgiveness (A Short Story)
What really happened to Keahi AFTER Teuila left him? If you enjoyed Fire’s Caress, then you will love this added insight into Keahi. Get to know our favourite Telesa World #badBoyBillionaire a little better with this short story.
Only $5 USD.
Best enjoyed if you have already read Fire’s Caress.
Scarlet Redemption. Print book, Paperback.
Only $18 USD (approx currency conversion). Includes postage.
Every woman has her breaking point. Has Scarlet reached hers? In this beautifully crafted tale of redemption and renewal, Scarlet must choose between staying in the shadows of weighty family secrets, or stepping out into the light, and thus risking it all. Can she do it? And will Jackson be a part of that journey? The thrilling conclusion to the heat, humour and heartache of the Scarlet Lies Series.
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Mango Fandango
INSPIRATION
Mangoes are always special.
Fancy. Soft. Sweet. Round.
Celebratory and luxurious.
So this is what I infused in the figures, tones, and shapes.
It feels warm and sweet and happy.
I learned so much about mangoes doing this painting.
Eg.
🥭The paisley pattern on bandanas originates from mangoes.
🥭The leaves from a mango tree are believed to repel negative energy and attract prosperity and fertility in India where the mango is believed to originate.
ARTWORK
The starting point was the heads of the women, which followed an exact formation of mangoes hanging on a tree. Everything went from this point.
I used the colours of mangoes: orange, yellow, red, green, coral, purple. Tropical, sweet and glowy.
I used the curvy shapes of oval mangoes, long pointy leaves, and delicate long red stems laden with pale yellow tiny mango flowers.
Metallic colours of gold and copper added luxe and celebration.
This is the story of Mango Fandango.
(I used fandango in the sense of fun, party and dance).
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The Cleaner
The first painting of every year is significant.
It sets the tone, mood, style, and benchmark for the year.
The Cleaner was my first for 2024.
It’s a figurative painting of a woman with a broom.
She wears only a lavalava and a sei.
Inspirations.
1. I fell in love with a sculpture by Italian artist Ernesto Coter while eating in his kitchen at Santa Maria Rezzonico a few weeks earlier. The sculpture was sitting on the sideboard beside his dining table. He said it is a Samoan woman dancing. This painting is a response to the sculpture (Pic 5)
2. A new year inspires a fresh look at life, reassessment, and decluttering. It’s not the first time my first painting for a new year has included a broom. It’s about spring cleaning your life as a new year begins.
3. Spending time with my family gave me a fresh respect for two of my sisters who each successfully run their own cleaning businesses in Queensland. It’s more interesting and complex work than I expected, and what they do for their clients is admirable.
I wanted to honour cleaners so I painted gold behind her head to show she is iconic.
And she had a gold broom.
4. Samoans sweep everything regularly – the beach, the grass the house, and everything.
5. A woman with a broom is a timeless and common sight in the background of every culture and every age. I want to uplift and highlight this symbol.
As a goddess. With an iconic halo.
We have often been this person and often see this person. And they’re important and essential.
They get rid of crap and they make the world more beautiful.
Goddesses.
6. I painted a blue ocean type background because I was seeing a lot from the 2023 United Nations Climate Change Conference in Dubai, while painting. Many people I know were there representing island nations of the Pacific Ocean.
Umu Feast by To’a Sāleilua
This print by To’a Sāleilua shows a steaming Samoan feast of pork, fish, breadfruit, taro and more, which are cooked using traditional methods.
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Seedless and Chilled
Watermelon was the inspiration behind the colour palette and title of this print.
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Fun, bright and relaxed – the watermelon vibe.
The Editor
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I watch their online stories traveling Europe and dancing at music festivals.
We discuss pending court cases and struggles of self-employment.
The days of desperately seeking babysitters, carpooling for school events, and borrowing from each other to pay the rent are gone.
We are less compliant and more calm.
We are more heartbroken and less cooperative.
We are smarter and deeper.
That’s what this painting is about.
Letting go. Floating.
I’ve always loved Ella Fitzgerald singing Cry Me A River.
The lyrics say it all. Cry me a river, I cried a river over you.
But the version that goes with this painting is Cry Me A River by Julie London, Live at the Americana Hotel, New York 1964. It’s breathtakingly beautiful.
So this painting is titled Cry Me A Moana and captures a similar sentiment as the song.
(Moana is a word that means ocean in several Pacific Island languages.)
Five brown-skinned full-bodied women floating in water.
They are reaching and twisting.
Their respectable white dresses become translucent, and the flower leis of honour are drifting away, and the women don’t care.
They float above fish skeletons and remnants of the past.
I hope it resonates. I want to make art that people feel, not only look at.
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Pacific Blue Madonna
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This print is a deep statement about motherhood and the crucial role mothers have in sustaining society in Oceania.




















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