Playing with poetry structure and paint using Samoan markings.
These small paintings about poetry are inspired by the huge paintings (pic 6) I created for the VIP Lounge at Faleolo International Airport.
The villanelle originated in Italian and Spanish folk songs and in the late nineteenth century, the French began to form the villanelle into a more fixed poetry structure of nineteenth lines: 5 lots of 3, and concluding with a set of 4 lines.
Going to your seamstress for a new dress or puletasi, choosing your material, being measured all over your body, hearing feedback about your measurements, discussing the design, discussing the event… it’s a whole thing.
#ifykyk
This print is from a series of three large paintings by Nikki Mariner, titled, ‘No Woman is an Island’.
SISTERS OF THE SUN,
DAUGHTERS OF THE WATERS,
WOMEN OF THE WOODS
Representing Samoa at the 13th Festival of Pacific Arts and Culture in Hawaii in 2024, the theme of the exhibition was Regenerating Oceania.
From the artist: “I asked myself what are the defining elements of a tropical island?
And I came up with three:
•surrounded by ocean,
•lush green jungles and forests
• heat from the sun.
So I painted groups of women in these three themes – forest, ocean, sun.
Painting groups rather than an individual figure symbolizes the collectivism of Pacific cultures and acknowledges the tight social bonds as a superpower towards Regenerating Oceania.
Each piece uses colour, shapes, pattern, and texture to express the feeling of each element of a tropical island – life in Oceania.
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