| Weight | .3 kg |
|---|---|
| Dimensions | 50 × 55 cm |
The Pasefika Tote Bag
T275.00
Price Summary
- T275.00
- T275.00
- T275.00
ONLY $99.95 USD. (Approx currency conversion). Discover our signature tote bag, meticulously made by hand in Samoa. Each one a unique piece of art with no two bags the same. This Supa Deluxe sized Tote bag features exclusive, hand-printed elei fabric showcasing bold cultural patterns inspired by our heritage. Crafted for durability from heavy cotton, reinforced handles, soft yet strong – it is washable and practical. This isn’t just a bag, it’s a wearable piece of art and a conversation starter. Take it to the office, to the beach, or on your next international flight, this is a bag that can go anywhere in style. Own a functional treasure that supports local artisans and lets you carry a piece of Samoa with you everywhere.
22 inches x 20 inches, not including the shoulder straps. 100% cotton.
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Vendor Information
- Store Name: Lani Young
- Vendor: Lani Young
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Keahi – Fire and Forgiveness (A Short Story)
What really happened to Keahi AFTER Teuila left him? If you enjoyed Fire’s Caress, then you will love this added insight into Keahi. Get to know our favourite Telesa World #badBoyBillionaire a little better with this short story.
Only $5 USD.
Best enjoyed if you have already read Fire’s Caress.
Afakasi Woman
2019 Winner of a NZ Storylines Notable Book Award.
2019 Finalist in the NZ Book Awards, Young Adult Fiction.
A collection of short stories from Samoa, by Lani Wendt Young. “The joys, the trials, the tragedies, and the sensibilities of being a woman of Samoa are highlighted in this superb collection. Each story is brimming with emotion, offering a unique, engrossing glimpse into the lives of women of the Pacific, as Young takes readers from tears of laughter to tears of sorrow from one story to the next.”
Only $10 USD.
Mata Lulu
A collection of fun, fearsome and fanciful stories from Samoa for children. Recommended for Ages 8 to 12 (and for the child in all of us!)
Only $10 USD.
The Bone Bearer
I am Daniel Tahi. Print book, Paperback.
Only $15 USD (approx currency conversion). Includes postage. This print book cannot be supplied to customers in NZ or Australia.
Get to know Daniel Tahi in a whole new way as he tells HIS side of the Telesa story. This novella is a collection of first person narratives from Daniel. It is a companion book to the Telesa Series and must be read after and in conjunction with: Telesa-The Covenant Keeper, and Telesa – When Water Burns.
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Natural Woman
Craving nature, feeling anti-technology, craving authenticity, resenting clocks and calendars and dresscodes, imagining living off the land, channeling ancestors, craving trees and fruit, and fresh air.
Cry Me A Moana
My sisters and I live different lives than we used to.
I watch their online stories traveling Europe and dancing at music festivals.
We discuss pending court cases and struggles of self-employment.
The days of desperately seeking babysitters, carpooling for school events, and borrowing from each other to pay the rent are gone.
We are less compliant and more calm.
We are more heartbroken and less cooperative.
We are smarter and deeper.
That’s what this painting is about.
Letting go. Floating.
I’ve always loved Ella Fitzgerald singing Cry Me A River.
The lyrics say it all. Cry me a river, I cried a river over you.
But the version that goes with this painting is Cry Me A River by Julie London, Live at the Americana Hotel, New York 1964. It’s breathtakingly beautiful.
So this painting is titled Cry Me A Moana and captures a similar sentiment as the song.
(Moana is a word that means ocean in several Pacific Island languages.)
Five brown-skinned full-bodied women floating in water.
They are reaching and twisting.
Their respectable white dresses become translucent, and the flower leis of honour are drifting away, and the women don’t care.
They float above fish skeletons and remnants of the past.
I hope it resonates. I want to make art that people feel, not only look at.
Mango Fandango
INSPIRATION
Mangoes are always special.
Fancy. Soft. Sweet. Round.
Celebratory and luxurious.
So this is what I infused in the figures, tones, and shapes.
It feels warm and sweet and happy.
I learned so much about mangoes doing this painting.
Eg.
🥭The paisley pattern on bandanas originates from mangoes.
🥭The leaves from a mango tree are believed to repel negative energy and attract prosperity and fertility in India where the mango is believed to originate.
ARTWORK
The starting point was the heads of the women, which followed an exact formation of mangoes hanging on a tree. Everything went from this point.
I used the colours of mangoes: orange, yellow, red, green, coral, purple. Tropical, sweet and glowy.
I used the curvy shapes of oval mangoes, long pointy leaves, and delicate long red stems laden with pale yellow tiny mango flowers.
Metallic colours of gold and copper added luxe and celebration.
This is the story of Mango Fandango.
(I used fandango in the sense of fun, party and dance).
Cubist Tanoa by Tito Pritchard
This print by Tito Pritchard uses a cubism style to play with a tanoa and ula fala.
Tanka
Playing with poem structure, paint, and Samoan markings.
Small paintings inspired by the 7 metre by 2 metre works (pic 6) I created for the VIP Terminal Lounge at Faleolo International Airport.
A tanka poem is derived from Japanese poetry arranged in five lines with a 5-7-5-7-7 syllable count.
Scarlet Redemption (Book Three in the Scarlet Series)
Every woman has her breaking point. Has Scarlet reached hers? In this beautifully crafted tale of redemption and renewal, Scarlet must choose between staying in the shadows of weighty family secrets, or stepping out into the light, and thus risking it all. Can she do it? And will Jackson be a part of that journey? The thrilling conclusion to the heat, humour and heartache of the Scarlet Lies Series.
Only $10 USD.
Fire’s Caress (A Telesa World Novel)
A Telesā World novel which continues the stories of key characters from the Telesā Series. It can be read as a standalone book.
Winner of the 2022 Sir Julius Vogel Award for Best Youth Novel.
Finalist, 2022 New Zealand Book Awards, Young Adult Fiction.
Daughters of the Waters
This print is from a series of three large paintings by Nikki Mariner, titled, ‘No Woman is an Island’.
Pisupo Pacific
This print features a favourite food in Samoa: Corned Beef or Pisupo.
Like artists for centuries, I teach myself about painting by doing my own versions of the great masters and modern icons.
Personally, I’ve never been attracted to the artwork by American artist Andy Warhol (1928-1987), but corned beef cans gave me the perfect opportunity to explore his work. Step into the experience of studying the minutiae of mundane objects and products.
It was interesting and it gave me a new appreciation.
Visiting the Seamstress | Alu I le Su’isu’i
Going to your seamstress for a new dress or puletasi, choosing your material, being measured all over your body, hearing feedback about your measurements, discussing the design, discussing the event… it’s a whole thing.
#ifykyk
That’s what this painting is about.
Seedless and Chilled
Watermelon was the inspiration behind the colour palette and title of this print.
The original painting was one of three in a series of artworks of five sisters and all were related to a different fruit.
Fun, bright and relaxed – the watermelon vibe.
The Cleaner
The first painting of every year is significant.
It sets the tone, mood, style, and benchmark for the year.
The Cleaner was my first for 2024.
It’s a figurative painting of a woman with a broom.
She wears only a lavalava and a sei.
Inspirations.
1. I fell in love with a sculpture by Italian artist Ernesto Coter while eating in his kitchen at Santa Maria Rezzonico a few weeks earlier. The sculpture was sitting on the sideboard beside his dining table. He said it is a Samoan woman dancing. This painting is a response to the sculpture (Pic 5)
2. A new year inspires a fresh look at life, reassessment, and decluttering. It’s not the first time my first painting for a new year has included a broom. It’s about spring cleaning your life as a new year begins.
3. Spending time with my family gave me a fresh respect for two of my sisters who each successfully run their own cleaning businesses in Queensland. It’s more interesting and complex work than I expected, and what they do for their clients is admirable.
I wanted to honour cleaners so I painted gold behind her head to show she is iconic.
And she had a gold broom.
4. Samoans sweep everything regularly – the beach, the grass the house, and everything.
5. A woman with a broom is a timeless and common sight in the background of every culture and every age. I want to uplift and highlight this symbol.
As a goddess. With an iconic halo.
We have often been this person and often see this person. And they’re important and essential.
They get rid of crap and they make the world more beautiful.
Goddesses.
6. I painted a blue ocean type background because I was seeing a lot from the 2023 United Nations Climate Change Conference in Dubai, while painting. Many people I know were there representing island nations of the Pacific Ocean.



















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