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Sons for the Return Home
T30.00
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- T30.00
- T30.00
- T30.00
Originally published in 1973, this story of star-crossed lovers spotlights the complex nature of love, freedom and racism in New Zealand. The first novel ever published by a Samoan author and a classic of Pacific Literature, readers worldwide continue to respond to the clarity of vision in this powerful story of cross-cultural encounter by Albert Wendt.
Only $10 USD (Approx currency conversion.)
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- Store Name: Wendt
- Vendor: Wendt
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Leaves of the Banyan Tree
A saga of three generations, Leaves of the Banyan Tree tells the story of a family and community in Western Samoa undermined by the changes brought about by colonialism. It is considered a classic work of Pacific literature and is arguably Wendt’s greatest novel.
Only $10 USD. (Approx currency conversion.)
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Often enjoyed with breadfuit/ulu and taro.
Cry Me A Moana
My sisters and I live different lives than we used to.
I watch their online stories traveling Europe and dancing at music festivals.
We discuss pending court cases and struggles of self-employment.
The days of desperately seeking babysitters, carpooling for school events, and borrowing from each other to pay the rent are gone.
We are less compliant and more calm.
We are more heartbroken and less cooperative.
We are smarter and deeper.
That’s what this painting is about.
Letting go. Floating.
I’ve always loved Ella Fitzgerald singing Cry Me A River.
The lyrics say it all. Cry me a river, I cried a river over you.
But the version that goes with this painting is Cry Me A River by Julie London, Live at the Americana Hotel, New York 1964. It’s breathtakingly beautiful.
So this painting is titled Cry Me A Moana and captures a similar sentiment as the song.
(Moana is a word that means ocean in several Pacific Island languages.)
Five brown-skinned full-bodied women floating in water.
They are reaching and twisting.
Their respectable white dresses become translucent, and the flower leis of honour are drifting away, and the women don’t care.
They float above fish skeletons and remnants of the past.
I hope it resonates. I want to make art that people feel, not only look at.
Mango Fandango
INSPIRATION
Mangoes are always special.
Fancy. Soft. Sweet. Round.
Celebratory and luxurious.
So this is what I infused in the figures, tones, and shapes.
It feels warm and sweet and happy.
I learned so much about mangoes doing this painting.
Eg.
🥭The paisley pattern on bandanas originates from mangoes.
🥭The leaves from a mango tree are believed to repel negative energy and attract prosperity and fertility in India where the mango is believed to originate.
ARTWORK
The starting point was the heads of the women, which followed an exact formation of mangoes hanging on a tree. Everything went from this point.
I used the colours of mangoes: orange, yellow, red, green, coral, purple. Tropical, sweet and glowy.
I used the curvy shapes of oval mangoes, long pointy leaves, and delicate long red stems laden with pale yellow tiny mango flowers.
Metallic colours of gold and copper added luxe and celebration.
This is the story of Mango Fandango.
(I used fandango in the sense of fun, party and dance).
Pacific Blue Madonna
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Only $10 USD (approx currency conversion).
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It sets the tone, mood, style, and benchmark for the year.
The Cleaner was my first for 2024.
It’s a figurative painting of a woman with a broom.
She wears only a lavalava and a sei.
Inspirations.
1. I fell in love with a sculpture by Italian artist Ernesto Coter while eating in his kitchen at Santa Maria Rezzonico a few weeks earlier. The sculpture was sitting on the sideboard beside his dining table. He said it is a Samoan woman dancing. This painting is a response to the sculpture (Pic 5)
2. A new year inspires a fresh look at life, reassessment, and decluttering. It’s not the first time my first painting for a new year has included a broom. It’s about spring cleaning your life as a new year begins.
3. Spending time with my family gave me a fresh respect for two of my sisters who each successfully run their own cleaning businesses in Queensland. It’s more interesting and complex work than I expected, and what they do for their clients is admirable.
I wanted to honour cleaners so I painted gold behind her head to show she is iconic.
And she had a gold broom.
4. Samoans sweep everything regularly – the beach, the grass the house, and everything.
5. A woman with a broom is a timeless and common sight in the background of every culture and every age. I want to uplift and highlight this symbol.
As a goddess. With an iconic halo.
We have often been this person and often see this person. And they’re important and essential.
They get rid of crap and they make the world more beautiful.
Goddesses.
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Like artists for centuries, I teach myself about painting by doing my own versions of the great masters and modern icons.
Personally, I’ve never been attracted to the artwork by American artist Andy Warhol (1928-1987), but corned beef cans gave me the perfect opportunity to explore his work. Step into the experience of studying the minutiae of mundane objects and products.
It was interesting and it gave me a new appreciation.
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Pele paints a contemporary visualisation of icons of Samoan culture. The tanoa becomes a crown, a tuiga made of tatau symbols, flowing ribbons of elei, and flowers adorn a skull.
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This print by Pele Loi features a bird feeding in the natural Samoan environment against a bright blue background of Samoan tatau patterns.















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