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T149.85
Buy all three books in the SCARLET SERIES for only $55.00 USD (approximate currency conversion). Paper print books, postage included in the price. Your payment comes direct to Samoa to the writer, books are posted to you from distributors in either USA or Australia to keep shipping costs down and for faster delivery.
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When danger threatens the island of Niua, an ancient weapon is unleashed and Daniel Tahi must decide if he will embrace his Tongan heritage and stand alongside the Vasa Loloa sisterhood of his mother’s people. A standalone novel from the Telesā World. Inspired by mythology of Oceania, the richness of Samoan culture and the very real threats to the Pacific caused by climate change.
The Telesā books are YA fantasy fiction set in the Pacific Islands by internationally renowned, award-winning author Lani Young. Discover the series that is a #1 Top Rated Fantasy Romance on Amazon and a favourite with readers worldwide.
Only $18 USD (approx currency conversion). Includes postage.
An island of secrets. A girl on fire. An epic battle of the elements. The book that started it all…
Leila Folger escapes the stifling misery of life with her American grandmother and goes to Samoa searching to connect with her mother’s family. All her efforts to learn more about the mother she never knew are met with hostility. What really happened eighteen years ago when her father fled the island with his infant daughter? Why is everyone afraid to even talk about the woman he once loved? What is a ‘telesā’ and why does even the mention of her name strike such fear in everyone Leila meets? And why is Leila having vivid nightmares about a mother she can’t remember? Her quest for truth takes a thrilling turn when she meets Daniel Tahi, irresistibly compelling with his island-warrior tattoos, breath-taking jade eyes and golden smile. What is it in Daniel’s mysterious past that binds him and Leila so closely? When Leila discovers she is heir to a fiery birthright, she must choose between the Sisterhood and the boy she loves. Can they overcome all that divides them, even the very elements?
What you can’t say – owns you. What you hide – controls you. Scarlet knows the truth of these words all too well. As the stress of a family wedding builds, her resolve to be a #GoodDaughter wears thin and toxic truths begin to take their toll. Scarlet’s epic humor carries her through everything from (more!) forbidden croquembouche, to uku infestations and melon-like wardrobe malfunctions, and more of her family’s barbed idea of love. Sometimes you just have to laugh through life’s pain, or else you’ll cry your heart out. Right? Can Jackson be the strength that helps Scarlet break through the lies? Or will her secrets destroy them? Experience the tropical heat, humor and heartache that is Scarlet’s trip home to Samoa.
Only $10 USD.
Only $15 USD (approx currency conversion). Includes postage.
Get to know Daniel Tahi in a whole new way as he tells HIS side of the Telesa story. This novella is a collection of first person narratives from Daniel. It is a companion book to the Telesa Series and must be read after and in conjunction with: Telesa-The Covenant Keeper, and Telesa – When Water Burns.
A collection of fun, fearsome and fanciful stories from Samoa for children. Recommended for Ages 8 to 12 (and for the child in all of us!)
Only $10 USD.
My sisters and I live different lives than we used to.
I watch their online stories traveling Europe and dancing at music festivals.
We discuss pending court cases and struggles of self-employment.
The days of desperately seeking babysitters, carpooling for school events, and borrowing from each other to pay the rent are gone.
We are less compliant and more calm.
We are more heartbroken and less cooperative.
We are smarter and deeper.
That’s what this painting is about.
Letting go. Floating.
I’ve always loved Ella Fitzgerald singing Cry Me A River.
The lyrics say it all. Cry me a river, I cried a river over you.
But the version that goes with this painting is Cry Me A River by Julie London, Live at the Americana Hotel, New York 1964. It’s breathtakingly beautiful.
So this painting is titled Cry Me A Moana and captures a similar sentiment as the song.
(Moana is a word that means ocean in several Pacific Island languages.)
Five brown-skinned full-bodied women floating in water.
They are reaching and twisting.
Their respectable white dresses become translucent, and the flower leis of honour are drifting away, and the women don’t care.
They float above fish skeletons and remnants of the past.
I hope it resonates. I want to make art that people feel, not only look at.
Fagu Sea by Tito Pritchard is a still life painting of a shellfish delicacy in Samoa, commonly stored in recycled glass bottles and sealed with coconut husk.
Often enjoyed with breadfuit/ulu and taro.
This print is from a series of three large paintings by Nikki Mariner, titled, ‘No Woman is an Island’.
This print by Pele Loi depicts a traditional Sunday lunch including much loved Samoan food laid out on a plate of leaves against a background of tatau patterns.
Playing with poem structure, paint, and Samoan markings.
Small paintings inspired by the 7 metre by 2 metre works (pic 6) I created for the VIP Terminal Lounge at Faleolo International Airport.
The cinquain poem was invented by an American poet, and she drew inspiration from Japanese forms such as haiku and tanka, which are arranged in five lines. The cinquain has a syllable count of 2- 4 – 6 – 8 – 2.
The first painting of every year is significant.
It sets the tone, mood, style, and benchmark for the year.
The Cleaner was my first for 2024.
It’s a figurative painting of a woman with a broom.
She wears only a lavalava and a sei.
Inspirations.
1. I fell in love with a sculpture by Italian artist Ernesto Coter while eating in his kitchen at Santa Maria Rezzonico a few weeks earlier. The sculpture was sitting on the sideboard beside his dining table. He said it is a Samoan woman dancing. This painting is a response to the sculpture (Pic 5)
2. A new year inspires a fresh look at life, reassessment, and decluttering. It’s not the first time my first painting for a new year has included a broom. It’s about spring cleaning your life as a new year begins.
3. Spending time with my family gave me a fresh respect for two of my sisters who each successfully run their own cleaning businesses in Queensland. It’s more interesting and complex work than I expected, and what they do for their clients is admirable.
I wanted to honour cleaners so I painted gold behind her head to show she is iconic.
And she had a gold broom.
4. Samoans sweep everything regularly – the beach, the grass the house, and everything.
5. A woman with a broom is a timeless and common sight in the background of every culture and every age. I want to uplift and highlight this symbol.
As a goddess. With an iconic halo.
We have often been this person and often see this person. And they’re important and essential.
They get rid of crap and they make the world more beautiful.
Goddesses.
6. I painted a blue ocean type background because I was seeing a lot from the 2023 United Nations Climate Change Conference in Dubai, while painting. Many people I know were there representing island nations of the Pacific Ocean.
Watermelon was the inspiration behind the colour palette and title of this print.
The original painting was one of three in a series of artworks of five sisters and all were related to a different fruit.
Fun, bright and relaxed – the watermelon vibe.
Popouli is a painting that uses the life stages of a coconut to represent the optimal timing for regrowth and regeneration.
Going to your seamstress for a new dress or puletasi, choosing your material, being measured all over your body, hearing feedback about your measurements, discussing the design, discussing the event… it’s a whole thing.
#ifykyk
That’s what this painting is about.
Only $16.00 USD, approx currency conversion. Postage included.
A delightful story from Samoa, about a young girl and her dog. A joy to read aloud with your child, in both English and Gagana Samoa. Vivid, lush illustrations hand painted by renowned artist Nikki Mariner, bring the richness and beauty of a Samoan village to life. This is a storybook your family will treasure.
This paperback print book is shipped from our suppliers in both Australia and the USA, depending on where you live. The sale price includes standard postage to customers living in New Zealand, Australia and the USA.
Playing with poem structure, paint, and Samoan markings.
Small paintings inspired by the 7 metre by 2 metre works (pic 6) I created for the VIP Terminal Lounge at Faleolo International Airport.
A tanka poem is derived from Japanese poetry arranged in five lines with a 5-7-5-7-7 syllable count.
INSPIRATION
Mangoes are always special.
Fancy. Soft. Sweet. Round.
Celebratory and luxurious.
So this is what I infused in the figures, tones, and shapes.
It feels warm and sweet and happy.
I learned so much about mangoes doing this painting.
Eg.
🥭The paisley pattern on bandanas originates from mangoes.
🥭The leaves from a mango tree are believed to repel negative energy and attract prosperity and fertility in India where the mango is believed to originate.
ARTWORK
The starting point was the heads of the women, which followed an exact formation of mangoes hanging on a tree. Everything went from this point.
I used the colours of mangoes: orange, yellow, red, green, coral, purple. Tropical, sweet and glowy.
I used the curvy shapes of oval mangoes, long pointy leaves, and delicate long red stems laden with pale yellow tiny mango flowers.
Metallic colours of gold and copper added luxe and celebration.
This is the story of Mango Fandango.
(I used fandango in the sense of fun, party and dance).
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Jasmine C Koria
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