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Pisupo Pacific

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  • T60.00
  • T60.00
  • T60.00
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Highlights:

This print features a favourite food in Samoa: Corned Beef or Pisupo.

Like artists for centuries, I teach myself about painting by doing my own versions of the great masters and modern icons.

Personally, I’ve never been attracted to the artwork by American artist Andy Warhol (1928-1987), but corned beef cans gave me the perfect opportunity to explore his work. Step into the experience of studying the minutiae of mundane objects and products.
It was interesting and it gave me a new appreciation.

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Description

This is a digital print download. When you buy a digital download, we send you an email with a link containing instructions about how to download your print. You will receive a link to a 300 DPI printable image in a PDF or JPG file. Simply download and save the file. You can print your wall art at home, your local print shop, or through an online printing service.

You can print your artwork as many times as you like as long as it is for personal use.This print is copyrighted and cannot be used commercially in any way. It is for your personal use only. If you wish to use the digital print commercially, you can contact the artist for their fee to purchase a commercial license.  Please respect the artist’s rights.

This digital file can be printed on paper, canvas, wood, metal. For paper prints, for best results, we recommend using 200gsm cardstock in matte or semi-gloss finish. If printing at home, ensure the printer’s color correction is disabled and that it is set to print at ‘original size.’
Unless specified otherwise, all art has been formatted to a 4:3 aspect ratio to enable printing in various common sizes (aspect ratio is the relationship between the width and height of an image). Your new wall art can be printed in the following sizes: 6 x 8in / 15 x 20cm, 9 x 12in / 22 x 30cm, 12 x 16in / 30 x 40cm, 15 x 20in / 38 x 50cm, 18 x 24in / 45 x 60cm, 24 x 32in / 60 x 80cm and 30 x 40in / 75 x 100cm.
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Vendor Info

Vendor Information

  • Store Name: Nikki Mariner
  • Vendor: Nikki Mariner
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Highlights:

The first painting of every year is significant.
It sets the tone, mood, style, and benchmark for the year.

The Cleaner was my first for 2024.

It’s a figurative painting of a woman with a broom.
She wears only a lavalava and a sei.

Inspirations.

1. I fell in love with a sculpture by Italian artist Ernesto Coter while eating in his kitchen at Santa Maria Rezzonico a few weeks earlier. The sculpture was sitting on the sideboard beside his dining table. He said it is a Samoan woman dancing. This painting is a response to the sculpture (Pic 5)

2. A new year inspires a fresh look at life, reassessment, and decluttering. It’s not the first time my first painting for a new year has included a broom. It’s about spring cleaning your life as a new year begins.

3. Spending time with my family gave me a fresh respect for two of my sisters who each successfully run their own cleaning businesses in Queensland. It’s more interesting and complex work than I expected, and what they do for their clients is admirable.
I wanted to honour cleaners so I painted gold behind her head to show she is iconic.
And she had a gold broom.

4. Samoans sweep everything regularly – the beach, the grass the house, and everything.

5. A woman with a broom is a timeless and common sight in the background of every culture and every age. I want to uplift and highlight this symbol.
As a goddess. With an iconic halo.
We have often been this person and often see this person. And they’re important and essential.
They get rid of crap and they make the world more beautiful.
Goddesses.

6. I painted a blue ocean type background because I was seeing a lot from the 2023 United Nations Climate Change Conference in Dubai, while painting. Many people I know were there representing island nations of the Pacific Ocean.

 

Sisters of the Sun

Highlights:

This print is from a series of three large paintings by Nikki Mariner, titled, ‘No Woman is an Island’.

☀️SISTERS OF THE SUN,
🌊DAUGHTERS OF THE WATERS,
🌳WOMEN OF THE WOODS
Representing Samoa at the 13th Festival of Pacific Arts and Culture in Hawaii in 2024, the theme of the exhibition was Regenerating Oceania.
From the artist: “I asked myself what are the defining elements of a tropical island?
And I came up with three:
•surrounded by ocean,
•lush green jungles and forests
• heat from the sun.
So I painted groups of women in these three themes – forest, ocean, sun.
Painting groups rather than an individual figure symbolizes the collectivism of Pacific cultures and acknowledges the tight social bonds as a superpower towards Regenerating Oceania.
Each piece uses colour, shapes, pattern, and texture to express the feeling of each element of a tropical island – life in Oceania.

 

Fa’asamoa by William Mauola

Highlights:

This print by William Mauola includes ceremonial items of Samoan culture displayed in a tanoa against the background of tatau patterns.

It includes a nifo oti, ulafala, to’oto’o, fue and an aute/a red hibiscus.

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Mango Fandango

Highlights:

INSPIRATION
Mangoes are always special.
Fancy. Soft. Sweet. Round.
Celebratory and luxurious.

So this is what I infused in the figures, tones, and shapes.
It feels warm and sweet and happy.

I learned so much about mangoes doing this painting.
Eg.
🥭The paisley pattern on bandanas originates from mangoes.
🥭The leaves from a mango tree are believed to repel negative energy and attract prosperity and fertility in India where the mango is believed to originate.

ARTWORK
The starting point was the heads of the women, which followed an exact formation of mangoes hanging on a tree. Everything went from this point.

I used the colours of mangoes: orange, yellow, red, green, coral, purple. Tropical, sweet and glowy.

I used the curvy shapes of oval mangoes, long pointy leaves, and delicate long red stems laden with pale yellow tiny mango flowers.

Metallic colours of gold and copper added luxe and celebration.

This is the story of Mango Fandango.
(I used fandango in the sense of fun, party and dance).

 

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