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Scarlet Secrets: Book Two in the Scarlet Series

Highlights:

What you can’t say – owns you. What you hide – controls you. Scarlet knows the truth of these words all too well. As the stress of a family wedding builds, her resolve to be a #GoodDaughter wears thin and toxic truths begin to take their toll. Scarlet’s epic humor carries her through everything from (more!) forbidden croquembouche, to uku infestations and melon-like wardrobe malfunctions, and more of her family’s barbed idea of love. Sometimes you just have to laugh through life’s pain, or else you’ll cry your heart out. Right? Can Jackson be the strength that helps Scarlet break through the lies? Or will her secrets destroy them? Experience the tropical heat, humor and heartache that is Scarlet’s trip home to Samoa.

Only $10 USD.

Seedless and Chilled

Highlights:

Watermelon was the inspiration behind the colour palette and title of this print.

The original painting was one of three in a series of artworks of five sisters and all were related to a different fruit.

Fun, bright and relaxed – the watermelon vibe.

Sisters of the Sun

Highlights:

This print is from a series of three large paintings by Nikki Mariner, titled, ‘No Woman is an Island’.

☀️SISTERS OF THE SUN,
🌊DAUGHTERS OF THE WATERS,
🌳WOMEN OF THE WOODS
Representing Samoa at the 13th Festival of Pacific Arts and Culture in Hawaii in 2024, the theme of the exhibition was Regenerating Oceania.
From the artist: “I asked myself what are the defining elements of a tropical island?
And I came up with three:
•surrounded by ocean,
•lush green jungles and forests
• heat from the sun.
So I painted groups of women in these three themes – forest, ocean, sun.
Painting groups rather than an individual figure symbolizes the collectivism of Pacific cultures and acknowledges the tight social bonds as a superpower towards Regenerating Oceania.
Each piece uses colour, shapes, pattern, and texture to express the feeling of each element of a tropical island – life in Oceania.

 

The Cleaner

Highlights:

The first painting of every year is significant.
It sets the tone, mood, style, and benchmark for the year.

The Cleaner was my first for 2024.

It’s a figurative painting of a woman with a broom.
She wears only a lavalava and a sei.

Inspirations.

1. I fell in love with a sculpture by Italian artist Ernesto Coter while eating in his kitchen at Santa Maria Rezzonico a few weeks earlier. The sculpture was sitting on the sideboard beside his dining table. He said it is a Samoan woman dancing. This painting is a response to the sculpture (Pic 5)

2. A new year inspires a fresh look at life, reassessment, and decluttering. It’s not the first time my first painting for a new year has included a broom. It’s about spring cleaning your life as a new year begins.

3. Spending time with my family gave me a fresh respect for two of my sisters who each successfully run their own cleaning businesses in Queensland. It’s more interesting and complex work than I expected, and what they do for their clients is admirable.
I wanted to honour cleaners so I painted gold behind her head to show she is iconic.
And she had a gold broom.

4. Samoans sweep everything regularly – the beach, the grass the house, and everything.

5. A woman with a broom is a timeless and common sight in the background of every culture and every age. I want to uplift and highlight this symbol.
As a goddess. With an iconic halo.
We have often been this person and often see this person. And they’re important and essential.
They get rid of crap and they make the world more beautiful.
Goddesses.

6. I painted a blue ocean type background because I was seeing a lot from the 2023 United Nations Climate Change Conference in Dubai, while painting. Many people I know were there representing island nations of the Pacific Ocean.

 

Featured

Va – Stories by Women of the Moana

Highlights:

Immerse yourself in the intrigue, fantasy, humour and magic of beautiful strong stories by 38 women writers from across the Moana. This anthology of creative fiction explores themes of identity, relationships, and cultural heritage through diverse and engaging stories, offering a glimpse into the lives and experiences of women in the Pacific.

Compiled and edited by award-winning writers Sisilia Eteuati and Lani Wendt Young, this anthology is the first of its kind. Never before have so many Moana women writers gathered together to share their stories.

Featured

Visiting the Seamstress | Alu I le Su’isu’i

Highlights:

Going to your seamstress for a new dress or puletasi, choosing your material, being measured all over your body, hearing feedback about your measurements, discussing the design, discussing the event… it’s a whole thing.
#ifykyk

That’s what this painting is about.

Women of the Woods

Highlights:

This print is from a series of three large paintings by Nikki Mariner, titled, ‘No Woman is an Island’.

☀️SISTERS OF THE SUN,
🌊DAUGHTERS OF THE WATERS,
🌳WOMEN OF THE WOODS
Representing Samoa at the 13th Festival of Pacific Arts and Culture in Hawaii in 2024, the theme of the exhibition was Regenerating Oceania.
From the artist: “I asked myself what are the defining elements of a tropical island?
And I came up with three:
•surrounded by ocean,
•lush green jungles and forests
• heat from the sun.
So I painted groups of women in these three themes – forest, ocean, sun.
Painting groups rather than an individual figure symbolizes the collectivism of Pacific cultures and acknowledges the tight social bonds as a superpower towards Regenerating Oceania.
Each piece uses colour, shapes, pattern, and texture to express the feeling of each element of a tropical island – life in Oceania.
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