



Samoa Coloring Pages – Halu Bongo!
T10.00
Price Summary
- T10.00
- T10.00
- T10.00
Bring your favorite Samoan dog Bongo to life with FOURTEEN printable coloring pages from the original HALU BONGO storybook for kids. Simply download, then print on your home printer with settings on \’Fill page\’, grab some bright crayons, and your child has everything they need for a fun activity. Pair with the the ebook of HALU BONGO, read the story out loud together in Samoan and English, and help reinforce your child\’s confident learning of Gagana Samoa. These bold coloring pages are all familiar scenes straight from home here in Beautiful Samoa. Only $3.50 USD (approx currency conversion).
Original paintings by Nikki Mariner. Adapted for coloring pages format by Bella Young.
Vendor Information
- Store Name: Lani Young
- Vendor: Lani Young
-
5.00 rating from 1 review 5 ★0 ★0 Ratings5 ★04 ★03 ★02 ★01 ★0
I am Daniel Tahi
Get to know Daniel Tahi in a whole new way as he tells HIS side of the Telesa story. This novella is a collection of first person narratives from Daniel. It is a companion book to the Telesa Series and must be read after and in conjunction with: Telesa-The Covenant Keeper, and Telesa – When Water Burns.
The Bone Bearer
Telesa – The Covenant Keeper
An island of secrets. A girl on fire. An epic battle of the elements. The book that started it all…
Only $10 USD (approx currency conversion)
Fire’s Caress (A Telesa World Novel)
A Telesā World novel which continues the stories of key characters from the Telesā Series. It can be read as a standalone book.
Winner of the 2022 Sir Julius Vogel Award for Best Youth Novel.
Finalist, 2022 New Zealand Book Awards, Young Adult Fiction.
Love by Numbers (A Scarlet Series Book)
Numbers are Tamarina’s language. And there’s no room in her equations for love. Or is there? A sweet sultry love story about a math genius and a mechanic. Return to Scarlet’s world, only this time read her sister Tamarina’s story.
Only $10 USD. (Approx currency exchange)
Related Products
The Cleaner
The first painting of every year is significant.
It sets the tone, mood, style, and benchmark for the year.
The Cleaner was my first for 2024.
It’s a figurative painting of a woman with a broom.
She wears only a lavalava and a sei.
Inspirations.
1. I fell in love with a sculpture by Italian artist Ernesto Coter while eating in his kitchen at Santa Maria Rezzonico a few weeks earlier. The sculpture was sitting on the sideboard beside his dining table. He said it is a Samoan woman dancing. This painting is a response to the sculpture (Pic 5)
2. A new year inspires a fresh look at life, reassessment, and decluttering. It’s not the first time my first painting for a new year has included a broom. It’s about spring cleaning your life as a new year begins.
3. Spending time with my family gave me a fresh respect for two of my sisters who each successfully run their own cleaning businesses in Queensland. It’s more interesting and complex work than I expected, and what they do for their clients is admirable.
I wanted to honour cleaners so I painted gold behind her head to show she is iconic.
And she had a gold broom.
4. Samoans sweep everything regularly – the beach, the grass the house, and everything.
5. A woman with a broom is a timeless and common sight in the background of every culture and every age. I want to uplift and highlight this symbol.
As a goddess. With an iconic halo.
We have often been this person and often see this person. And they’re important and essential.
They get rid of crap and they make the world more beautiful.
Goddesses.
6. I painted a blue ocean type background because I was seeing a lot from the 2023 United Nations Climate Change Conference in Dubai, while painting. Many people I know were there representing island nations of the Pacific Ocean.
Cry Me A Moana
My sisters and I live different lives than we used to.
I watch their online stories traveling Europe and dancing at music festivals.
We discuss pending court cases and struggles of self-employment.
The days of desperately seeking babysitters, carpooling for school events, and borrowing from each other to pay the rent are gone.
We are less compliant and more calm.
We are more heartbroken and less cooperative.
We are smarter and deeper.
That’s what this painting is about.
Letting go. Floating.
I’ve always loved Ella Fitzgerald singing Cry Me A River.
The lyrics say it all. Cry me a river, I cried a river over you.
But the version that goes with this painting is Cry Me A River by Julie London, Live at the Americana Hotel, New York 1964. It’s breathtakingly beautiful.
So this painting is titled Cry Me A Moana and captures a similar sentiment as the song.
(Moana is a word that means ocean in several Pacific Island languages.)
Five brown-skinned full-bodied women floating in water.
They are reaching and twisting.
Their respectable white dresses become translucent, and the flower leis of honour are drifting away, and the women don’t care.
They float above fish skeletons and remnants of the past.
I hope it resonates. I want to make art that people feel, not only look at.
Villanelle
Playing with poetry structure and paint using Samoan markings.
These small paintings about poetry are inspired by the huge paintings (pic 6) I created for the VIP Lounge at Faleolo International Airport.
The villanelle originated in Italian and Spanish folk songs and in the late nineteenth century, the French began to form the villanelle into a more fixed poetry structure of nineteenth lines: 5 lots of 3, and concluding with a set of 4 lines.
The Editor
Internal chaos or forced deconstruction of identity? You decide.
Only $10 USD (approx currency conversion)
Cubist Tanoa by Tito Pritchard
This print by Tito Pritchard uses a cubism style to play with a tanoa and ula fala.
My Time
The image that comes to mind is a figure inside an hourglass with most of her body in the lower half and just a head and arm reaching through to the top half.
I decided on the most simplistic abstract form following the style of Matisse.
It seemed to make the image more universal.
Everyone knows the feeling of time running out but not giving up.
The Wedding
A delightful story from Samoa. It’s Pati and Lili’s special wedding day, and the Reverend is running a bit late so the wedding ceremony won’t start till four o’clock in the afternoon. But that is the time Lili normally feeds her chickens. Will the chickens delay the wedding even longer? With stunning illustrations by acclaimed Samoan artist Regina Meredith.
Only $10 USD.
Cinquain
Playing with poem structure, paint, and Samoan markings.
Small paintings inspired by the 7 metre by 2 metre works (pic 6) I created for the VIP Terminal Lounge at Faleolo International Airport.
The cinquain poem was invented by an American poet, and she drew inspiration from Japanese forms such as haiku and tanka, which are arranged in five lines. The cinquain has a syllable count of 2- 4 – 6 – 8 – 2.
Free as a Bird by Pele Loi
This print by Pele Loi features a bird feeding in the natural Samoan environment against a bright blue background of Samoan tatau patterns.
Mango Fandango
INSPIRATION
Mangoes are always special.
Fancy. Soft. Sweet. Round.
Celebratory and luxurious.
So this is what I infused in the figures, tones, and shapes.
It feels warm and sweet and happy.
I learned so much about mangoes doing this painting.
Eg.
🥭The paisley pattern on bandanas originates from mangoes.
🥭The leaves from a mango tree are believed to repel negative energy and attract prosperity and fertility in India where the mango is believed to originate.
ARTWORK
The starting point was the heads of the women, which followed an exact formation of mangoes hanging on a tree. Everything went from this point.
I used the colours of mangoes: orange, yellow, red, green, coral, purple. Tropical, sweet and glowy.
I used the curvy shapes of oval mangoes, long pointy leaves, and delicate long red stems laden with pale yellow tiny mango flowers.
Metallic colours of gold and copper added luxe and celebration.
This is the story of Mango Fandango.
(I used fandango in the sense of fun, party and dance).
Umu Feast by To’a Sāleilua
This print by To’a Sāleilua shows a steaming Samoan feast of pork, fish, breadfruit, taro and more, which are cooked using traditional methods.
Fragility
- From her art series, “Butterfly and Bone”.
Only $10 USD (approx currency conversion)
































There are no reviews yet.