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Villanelle

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  • T60.00
  • T60.00
  • T60.00
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Highlights:

Playing with poetry structure and paint using Samoan markings.

 

These small paintings about poetry are inspired by the huge paintings (pic 6) I created for the VIP Lounge at Faleolo International Airport.

 

The villanelle originated in Italian and Spanish folk songs and in the late nineteenth century, the French began to form the villanelle into a more fixed poetry structure of nineteenth lines: 5 lots of 3, and concluding with a set of 4 lines.

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Description

This is a digital print download. When you buy a digital download, we send you an email with a link containing instructions about how to download your print. You will receive a link to a 300 DPI printable image in a PDF or JPG file. Simply download and save the file. You can print your wall art at home, your local print shop, or through an online printing service.

You can print your artwork as many times as you like as long as it is for personal use.This print is copyrighted and cannot be used commercially in any way. It is for your personal use only. If you wish to use the digital print commercially, you can contact the artist for their fee to purchase a commercial license.  Please respect the artist’s rights.

This digital file can be printed on paper, canvas, wood, metal. For paper prints, for best results, we recommend using 200gsm cardstock in matte or semi-gloss finish. If printing at home, ensure the printer’s color correction is disabled and that it is set to print at ‘original size.’
Unless specified otherwise, all art has been formatted to a 4:3 aspect ratio to enable printing in various common sizes (aspect ratio is the relationship between the width and height of an image). Your new wall art can be printed in the following sizes: 6 x 8in / 15 x 20cm, 9 x 12in / 22 x 30cm, 12 x 16in / 30 x 40cm, 15 x 20in / 38 x 50cm, 18 x 24in / 45 x 60cm, 24 x 32in / 60 x 80cm and 30 x 40in / 75 x 100cm.
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Vendor Info

Vendor Information

  • Store Name: Nikki Mariner
  • Vendor: Nikki Mariner
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The image that comes to mind is a figure inside an hourglass with most of her body in the lower half and just a head and arm reaching through to the top half.

I decided on the most simplistic abstract form following the style of Matisse.

It seemed to make the image more universal.
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The Cleaner

Highlights:

The first painting of every year is significant.
It sets the tone, mood, style, and benchmark for the year.

The Cleaner was my first for 2024.

It’s a figurative painting of a woman with a broom.
She wears only a lavalava and a sei.

Inspirations.

1. I fell in love with a sculpture by Italian artist Ernesto Coter while eating in his kitchen at Santa Maria Rezzonico a few weeks earlier. The sculpture was sitting on the sideboard beside his dining table. He said it is a Samoan woman dancing. This painting is a response to the sculpture (Pic 5)

2. A new year inspires a fresh look at life, reassessment, and decluttering. It’s not the first time my first painting for a new year has included a broom. It’s about spring cleaning your life as a new year begins.

3. Spending time with my family gave me a fresh respect for two of my sisters who each successfully run their own cleaning businesses in Queensland. It’s more interesting and complex work than I expected, and what they do for their clients is admirable.
I wanted to honour cleaners so I painted gold behind her head to show she is iconic.
And she had a gold broom.

4. Samoans sweep everything regularly – the beach, the grass the house, and everything.

5. A woman with a broom is a timeless and common sight in the background of every culture and every age. I want to uplift and highlight this symbol.
As a goddess. With an iconic halo.
We have often been this person and often see this person. And they’re important and essential.
They get rid of crap and they make the world more beautiful.
Goddesses.

6. I painted a blue ocean type background because I was seeing a lot from the 2023 United Nations Climate Change Conference in Dubai, while painting. Many people I know were there representing island nations of the Pacific Ocean.

 

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Highlights:

 

This painting is about trying to capture the individual experience of looking inside for clarity and truth and looking outside for strength or inspiration.

I painted it as I was learning to meditate.

An unlikely sources of artistic inspiration in this depiction of a Samoan woman is mosque architecture.

 

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Highlights:

This print features traditional Samoan patterns and symbols found in our siapo (tapa cloth) and tatau (tattoos).

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Highlights:

 

Playing with poem structure, paint, and Samoan markings.

Small paintings inspired by the 7 metre by 2 metre works (pic 6) I created for the VIP Terminal Lounge at Faleolo International Airport.

A tanka poem is derived from Japanese poetry arranged in five lines with a 5-7-5-7-7 syllable count.

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Highlights:

My sisters and I live different lives than we used to.

I watch their online stories traveling Europe and dancing at music festivals.
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We are less compliant and more calm.
We are more heartbroken and less cooperative.
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That’s what this painting is about.
Letting go. Floating.

I’ve always loved Ella Fitzgerald singing Cry Me A River.
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But the version that goes with this painting is Cry Me A River by Julie London, Live at the Americana Hotel, New York 1964. It’s breathtakingly beautiful.

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They float above fish skeletons and remnants of the past.

I hope it resonates. I want to make art that people feel, not only look at.

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